conflicted about this'n. it's a sweet number, but all it reminds of is when suburban discos were new, nobody knew what to do, and trying to close by bumping to this was actually an option....
the 21st century Fishbone - just dont get why they werent gigantic. my last years in gaming, the entertainment coordinator at my casino booked them for our outdoor theater three times a season. they sold out and rocked out Albq every time. cant imagine a genre taste - big band to hiphop - they wouldnt satisfy.25.xx Cut Chemist Suite by Ozomatli (1998)
maybe that's why...The Boss is a net disappointment for me. I first heard him before i knew who he was, stopping at the sound outside a Boston club gig in '72-3. Rosalita confirmed it and Born to Run told me this is the voice of my generation. He never found that peak for me again except when he consecrated our pain & need with his anthems in the face of AIDS and 9/11. Our musical President, for what it's worth
i hope somebody's got a good Berry Gordy bio script sitting beyond the reach of his lawyers, awaiting his passing, cuz its a story needs told & told right. nothing reflects the conflict within & without the path to self-determination for the descendants of American slaves better than Motown.Ok, need to get caught up as it looks like you did 2x day over the weekend. I will just let my drunken Friday night drafting stand.
the MOTOWN sound meets FUNK
Rd 22 I'll Stay by Funkadelic (1974)
The push to bring more funk to the Detroit sound wasn't something Berry Gordy supported. He hated the name "Funk Brothers" and refused to officially allow themselves to be called that because he didn't like funk. However, as the late 60's and early 70's went on, the funk sound became undeniable. One local label, Westbound Records, would feature an act that spearheaded the funk movement and showed how doo ***/soul style bands like The Parliaments could incorporate funk and emerge as something entirely new. Long outlasting Motown, who left for LA in 1971, Armen Boladian would be run one of the last significant studios in Detroit to document it's Black music scene. Westbound Records still exists today in Southfield, Michigan. One of the few survivors of the golden age of Detroit music.
Rd 23 Love Hangover by Diana Ross (1976)
Ross had left The Supremes, Motown had left Detroit for LA and the music showed it. 50% funk and 50% disco. This song also broke the record at the time for most #1 hits by a solo female artist. While her star has faded over the last couple decades to the point where most Detroit teens probably don't even recognize her name, in 1976 there was hardly a bigger female star in the world. Diane Ross (real name and the name she generally goes by) was the great grand daughter of a freed slave. She grew up in the North End of Detroit as a neighbor of Smokey Robinson. As a teen, she moved to the Brewster-Douglas Housing Projects where she would meet future Supreme members Mary Wilson and Florence Ballard. The housing project ground was first broken in 1935 by Eleanor Roosevelt. It was designed to provide affordable housing for the poor blue collar workers of the city and a symbol for a better future ahead for the city's growing population. It would end up becoming another sign of urban blight and decay that fell over the entire city. It's a fitting symbol for how the hope and vibrancy of a city of 2 million people would crumble over the final third of the 20th Century. The city that saw not only it's white citizens flee in droves but watched their music leave with with them.
Probably best suited for a TV mini series but if done right, it could be an incredible blend of fun, nostalgia and social critique.i hope somebody's got a good Berry Gordy bio script sitting beyond the reach of his lawyers, awaiting his passing, cuz its a story needs told & told right. nothing reflects the conflict within & without the path to self-determination for the descendants of American slaves better than Motown.
Steal of the B-SidesFigured I'd take a hippie jam
Round 27.xx
Song: Hey Ladies
Artist: Beastie Boys
Year:1989
I'm also taking the B-side to Hey Ladies, which is actually Shake Your Rump
Unofficial Sample (redacted until you click): https://www.youtube.com/watch?v=9_HrHbjG0GQ
Yeah, I found that out the other day when I did a little search on some site and then Discogs confirmed it. I wasn't doing B-sides, but figured I'd cut myself a little slack and do it just because of the pairing...Steal of the B-Sides
TRIPLE PLAY!!!Figured I'd take a hippie jam
Round 26.xx
Song: Hush
Artist: Deep Purple
Year: 1968
and then one from the album that set the standard for samples and the amount of them used (no medley). May copyright law take shape to get us to this point again:
Round 27.xx
Song: Hey Ladies
Artist: Beastie Boys
Year:1989
I'm also taking the B-side to Hey Ladies, which is actually Shake Your Rump
Unofficial Sample (redacted until you click): https://www.youtube.com/watch?v=9_HrHbjG0GQ
I agree that it is the song of the century. I'll never forget going back to D.C. when this came out. My friends were playing it at a house party and I made them put it on repeat so many times. Bought the album on the drive home to Connecticut and realized I liked Stankonia a little better, but that the unevenness of Speakerboxxx/The Love Below was mitigated by its high points. As you would say, nufced.
Awesome! I got the Hey Ladies casingle right when the song came out and I ended up listening to Shake Your Rump way more. My favorite Beastie song ever.Round 27.xx
Song: Hey Ladies
Artist: Beastie Boys
Year:1989
I'm also taking the B-side to Hey Ladies, which is actually Shake Your Rump
Unofficial Sample (redacted until you click): https://www.youtube.com/watch?v=9_HrHbjG0GQ
Like Fred Flinstone driving around with bald feetI’m like Sam the Butcher, bringin’ Alice the meat!
depends on how big the day's docket is, the clerk's efficiency, judge's temperament, etc...What time of day do banned users get the keys to their accounts back?
really like that there is an international flavor to your jukebox. it's not for a lack of material to draw from that a lot of mainstream entertainment ignores international atrocities or injustices. kind of how Nike's support for national movements sounds more like opportunistic cash grab considering the backs its industry has been built upon. probably the wrong thread or forum for this but anyway, nice choice.Gotta stay in the 2Ks with this next pick. Yo Mama selects:
27.23 - M.I.A. - Paper Planes (2008)
M.I.A. was very outspoken about the atrocities the Sri Lankan government and army perpetuated against the Tamil people. Due to these political stances, and also due to some racial profiling and prejudice (she was accused of supporting terrorists), she was unable to get a work visa to the US. Frustration from this led to her writing Paper Planes criticizing the view of immigrants in the West as well as US immigration policies.
The Clash band members are listed as co-writers of this song due to M.I.A. and Diplo’s heavy sampling of [redacted].
You just made my choice for 1982 infinitely easier. By the way, I believe the single was 2007, the album 2008 (I believe you can use either, I'm just saying it for completist's sake and because I have one coming up that depends on single/album release).27.23 - M.I.A. - Paper Planes (2008)
Hadn't heard this before and that one was alright, alright, alright.26. Thundercat - Them Changes
2017
Kinda sad song, but 2017 is razor thin imo. the bwop *** *** *** *** *** *** *** *** *** bass line is funky enough, and the piano breakdown and the vocals have got enough soul to fit in with the rest of the jukebox. Just play it toward the end of the night next to another slower R&B number. Plus I really like this song.
The drummer or bass player got arrested for fraud or embezzlement and faces many years in jail. Uncool, that.How does one make a Don Henley song good? Speed it up and find someone other than Don Henley to sing. Sorry, the 80's and I just don't get along.
Round 27 The Ataris - Boys of Summer (2003)
And this band regrets recording it. They never intended to release this as a single, but a few radio stations played it anyway and between its familiarity to listeners and how much better it was than the original it caught fire so they had no choice. Then once that novelty act stuck it was a tough one to shed. C'est la'vie
I’ve heard of this group before but not sure I’ve ever listened to them. This is cool and right up my alley - I think I need to give them more of a listen.26. Thundercat - Them Changes
2017
Kinda sad song, but 2017 is razor thin imo. the bwop *** *** *** *** *** *** *** *** *** bass line is funky enough, and the piano breakdown and the vocals have got enough soul to fit in with the rest of the jukebox. Just play it toward the end of the night next to another slower R&B number. Plus I really like this song.
I think Don Henley has a good singing voice.How does one make a Don Henley song good? Speed it up and find someone other than Don Henley to sing. Sorry, the 80's and I just don't get along.
Round 27 The Ataris - Boys of Summer (2003)
Love this - this is some baby makin’ music. Have some great memories of this one.
Yeah I was thinking this might be on your radar when I was writing it up.You just made my choice for 1982 infinitely easier. By the way, I believe the single was 2007, the album 2008 (I believe you can use either, I'm just saying it for completist's sake and because I have one coming up that depends on single/album release).
I'd start with 2017's Drunk but he just dropped one in 2020 called It Is What It Is. Both are pretty similar with the jazz fusion R&B stuff and some stuff that's just out there. I think they are both relatively short albums and pretty similar in style and structure so I'd say both? The former has a cut with Kenny Loggins & Michael McDonald if that tips the scales.I’ve heard of this group before but not sure I’ve ever listened to them. This is cool and right up my alley - I think I need to give them more of a listen.
Any recommendations for an album to start with?
Yeah, that’s been part of the fun doing this draft - seeing how certain themes have evolved over the decades, and unfortunately how a number of messages and social issues have remained constant over the past 50+ years.really like that there is an international flavor to your jukebox. it's not for a lack of material to draw from that a lot of mainstream entertainment ignores international atrocities or injustices. kind of how Nike's support for national movements sounds more like opportunistic cash grab considering the backs its industry has been built upon. probably the wrong thread or forum for this but anyway, nice choice.
[/QUOTE]I'd start with 2017's Drunk but he just dropped one in 2020 called It Is What It Is. Both are pretty similar with the jazz fusion R&B stuff and some stuff that's just out there. I think they are both relatively short albums and pretty similar in style and structure so I'd say both? The latter has a cut with Kenny Loggins & Michael McDonald if that tips the scales.
i edited my post since I said that the latter has that song. it's actually Drunk, which despite confusing post, I'm notOh that’s definitely interesting - thanks!
And if you don’t know, now you know ....27. Mtume - Juicy Fruit
1983
It was all a dream, I used to read...kinda worried this would be taken by the sample guys and having a hard time finding anything else for 83
who knew early 80s songs were so blatant with their euphemisms.
They opened up for Anderson .Paak when we saw him last summer (I think). Definitely a jam type band - or at least that was the set they did that night.26. Thundercat - Them Changes
2017
Kinda sad song, but 2017 is razor thin imo. the bwop *** *** *** *** *** *** *** *** *** bass line is funky enough, and the piano breakdown and the vocals have got enough soul to fit in with the rest of the jukebox. Just play it toward the end of the night next to another slower R&B number. Plus I really like this song.
Nice. I had an Anderson.Paak song lined up until I realized it coincided with another song I wanted to take--same year. I bet that show was fun.They opened up for Anderson .Paak when we saw him last summer (I think). Definitely a jam type band - or at least that was the set they did that night.
Absolutely one of my favorite Eurythmics songs. I have a dumb reason for it, but I can not hear this song without thinking of my 2 best friends in high school and this song.It was between this and How Soon Is Now for 1986, but @simey made the decision for me. This is my favorite song from Annie and Dave, and it fits my theme well.
Round 27: Eurythmics -- Missionary Man
Year: 1986
Album: Revenge
B-side: Take Your Pain Away
this could fit right next to the Black Crowes songs taken in hereTechnically this is a no hit wonder but pretty sure you've all heard this song. Plus it helps to get another pick from this year.
Round2730 Days in the Hole-Humble Pie 1972
There's a documentary about Davis that went up recently on Amazon Prime. It's somewhere in my endless queue.Betty Davis put out three albums of salacious funk in the '70s long before the world was ready for it. I like the first one best because she is backed by members of Santana and Sly and the Family Stone. This was her most successful single, but it only reached #66 on the R&B chart. The Pointer Sisters appear on the B-side.
Round 26: Betty Davis -- If I'm in Luck I Might Get Picked Up
Stop stealing my schtickI hadn’t heard this song for years and forgot about it until I started building out my list for this draft. Still very relevant and poignant today. Yo Mama selects:
26.03 - Bruce Springsteen - American Skin (41 Shots) - (2001
I've got my eyes on you tooThe Boss is a net disappointment for me. I first heard him before i knew who he was, stopping at the sound outside a Boston club gig in '72-3. Rosalita confirmed it and Born to Run told me this is the voice of my generation. He never found that peak for me again except when he consecrated our pain & need with his anthems in the face of AIDS and 9/11. Our musical President, for what it's worth