I considered both Essential Kinks and Picture Book but both of them feature too MANY songs, a lot of them uneasential IMO.Also, no Picture Book?
I agree here - may as well just discuss the artists rather than albums if we’re doing compilations.It's your thread, but I'd prefer no compilations. Some of the beauty of this thread and listening to complete albums is hearing stuff you never otherwise would.
I don’t think it is great or classic. The song is all time great. “Days” is a very good song. The rest of the album is...just OK. If I could merge this one and Arthur you might have something.I am not even that big of a Kinks fan, but you're crazy if you don't think The Village Green Preservation Society isn't a great album and a classic.
Sorry, I was referring to the omission of the song from either of your lists.I considered both Essential Kinks and Picture Book but both of them feature too MANY songs, a lot of them uneasential IMO.
If I had to make a Mount Rushmore of Kinks songs, it world be:zamboni said:In any event, "Waterloo Sunset" is an all-time great song.
I get the criticism. I won’t do this again; this will be the last one. No more compilation (unless it’s a live album) no more playlists. We’ll stick to albums from now on.Like others have said this is Tim's show but once a compilation shows up it is no longer a classic album thread. The shark has been jumped.
Edit to say I kind of felt this way when you went with a greatest hits album. In my opinion those should not be included as a classic album.
Totally agree on Celluloid Heroes - the live version is even better than the studio version IMO. Another highly underrated tune from the '70s is Rock & Roll FantasyIf I had to make a Mount Rushmore of Kinks songs, it world be:
You Really Got Me
Waterloo Sunset
Village Green Preservation Society
Lola
And I might have to find a way to sneak in Celluloid Heroes.
Yep. Carole King and James Taylor essentially shared the same band that referred to themselves as "The Section".And of course several of the musicians are the same ones that would show up on Tapestry a year later: Danny Kortchmar on guitar, Russ Kunkel on drums, Carole King on keyboards and backup vocals. Randy Meissner of Eagles fame was also involved.
I've seen it on many "all time" rankings.timschochet said:I don’t think it is great or classic. The song is all time great. “Days” is a very good song. The rest of the album is...just OK. If I could merge this one and Arthur you might have something.
Always liked Come Dancing and Tired of Waiting..If I had to make a Mount Rushmore of Kinks songs, it world be:
You Really Got Me
Waterloo Sunset
Village Green Preservation Society
Lola
And I might have to find a way to sneak in Celluloid Heroes.
I like the first one a little better but if you're in a mellow mood his fist two records really hit the spot.James Taylor- Sweet Baby James (1970)
Sweet Baby James
Lo and Behold
Sunny Skies
Steamroller
Country Road
Oh, Susannah
Fire and Rain
Blossom
Anywhere Like Heaven
Oh Baby, Don’t Let Your Loose Lip On Me
Suite for 20G
James Taylor’s second album made him a superstar and also changed popular music, essentially ushering in the “singer-songwriter” era of the early 1970s, (which I personally regard as the single greatest era of popular music ever, but that’s just one guy’s opinion.) The title track, “Country Road”, and especially “Fire and Rain” are all masterpieces of the form, but the record is also rounded off by such gems as “Sunny Skies”, “Blossom”, and “Suite for 20G”. This is another album that still sounds fresh because it’s music is timeless.
Taylor hit the sweet spot in the singer-songwriter thing. I think Carole King, Bill Withers, & Jim Croce were better at what James was trying to do, but they were segregated (King, Withers) and ignored (Croce, Withers again) by most of the hip rock writers. Joni was allowed in the inner circle, but she was too loopy to be an avatar. Paul Simon was wearing too many spikes.James Taylor- Sweet Baby James (1970)
Sweet Baby James
Lo and Behold
Sunny Skies
Steamroller
Country Road
Oh, Susannah
Fire and Rain
Blossom
Anywhere Like Heaven
Oh Baby, Don’t Let Your Loose Lip On Me
Suite for 20G
James Taylor’s second album made him a superstar and also changed popular music, essentially ushering in the “singer-songwriter” era of the early 1970s, (which I personally regard as the single greatest era of popular music ever, but that’s just one guy’s opinion.) The title track, “Country Road”, and especially “Fire and Rain” are all masterpieces of the form, but the record is also rounded off by such gems as “Sunny Skies”, “Blossom”, and “Suite for 20G”. This is another album that still sounds fresh because it’s music is timeless.
I can't stand Taylor. There's just nothing there at all for me. It's all pretentious sleepy time to me.James Taylor=music to fall to sleep to![]()
He is all bizness and as serious as he can get about every little thing he's got going in life. Not the kind of personality you'd want to have a beer with but more the type of friend that you screen when the call comes in deciding whether that conversation you're about to have is worth the time. No frills and no fun.
Just popping in to say I really dig some of Bill Withers's songs. Glad he's in the Rock and Roll HoF.Taylor hit the sweet spot in the singer-songwriter thing. I think Carole King, Bill Withers, & Jim Croce were better at what James was trying to do, but they were segregated (King, Withers) and ignored (Croce, Withers again) by most of the hip rock writers.
James is maybe too singer-songwriter 70s for yacht. Also his songs are often too emotional.Surprisingly, James Taylor only has 2 entries in this definitive list of yacht rock - a genre I didn't know had been concocted until XM radio started advertising a channel dedicated to it. Seems like he's a prototype for the genre.
AllMusic's Matt Colier identifies the "key defining rules of the genre" as follows:
"keep it smooth, even when it grooves, with more emphasis on the melody than on the beat"
"keep the emotions light, even when the sentiment turns sad (as is so often the case in the world of the sensitive yacht-rocksman)"
"always keep it catchy, no matter how modest or deeply buried in the tracklist the tune happens to be."[5]
Agreed.Like others have said this is Tim's show but once a compilation shows up it is no longer a classic album thread. The shark has been jumped.
Edit to say I kind of felt this way when you went with a greatest hits album. In my opinion those should not be included as a classic album.
Village Green and Something Else are better than most of the albums in this thread. Get a grip.timschochet said:I don’t think it is great or classic. The song is all time great. “Days” is a very good song. The rest of the album is...just OK. If I could merge this one and Arthur you might have something.
The Kinks Are The Village Green Preservation Society might be the defining album of my twenties. A masterpiece.Village Green and Something Else are better than most of the albums in this thread. Get a grip.
I actually think KNAC used to play it when I was twenty or so. The thrust of that is not by way of correction, just a memory of being in California and hearing them and then realizing that certain stations sort of broke Sublime's Sublime a few years later by having had played "Date Rape," etc.count me as a big fan of Sublime and Bradley Nowell. I got to see him play in the early 90s and was blown away. a lot of these songs were overplayed but one that wasn't that is probably my favorite is Same in the End. 40 oz to Freedom was just as good of an album if not better but didn't get any radio play.
This...was comming to say the same.rockaction said:The Kinks Are The Village Green Preservation Society might be the defining album of my twenties. A masterpiece.
And Sublime, while I liked them at a young age, has not held up well. At all. If I do hear them and hum along, it's a guilty pleasure and it's a little bit tinted by being both a little cheesy and a lot overplayed.
I did like their cover of Scarlet Begonias, though.
D_House said:Can’t wait for Third Eye Blind chat
These guys probably whisper sweet nothings into the ears of their lovers as Wayne Newtons drips out of their bedroom speakers.Bonzai said:Sublime![]()
Sorry. You already got quoted. I didn't see Tim Mutombo'd The Kinks. The Kinks don't need Tim and his threads imo.I don't find Sublime as offensive as some, but to say that they've had a "classic album" and the Kinks have not... c'mon.
Wu Tang, actually.These guys probably whisper sweet nothings into the ears of their lovers as Wayne Newtons drips out of their bedroom speakers.