Krista said hopefully sometime today.Did I just miss the theme thread or is it not set yet?
my guessDid I just miss the theme thread or is it not set yet?
Yambag loves the lovin' things too!!2's
Known: Our Lady Peace, Crue, Eurythmics, Robyn, REM, Radiohead, Pearl Jam, Bee Gees
Caught My Attention
Walkmen: We Can't Be Beat
Clash: Police on my Back
Journey: Do You Recall
Airborne Toxic Event: Gasoline
Tim Maia: Que Beleza
I don't know, I am getting nervous that I messed it up and have another Feeling That Way/Anytime situation on my hands.![]()
Lovin' You Is Easy, but please wait Patiently if I make mistakes. I wasn't Raised on Radio.I don't know, I am getting nervous that I messed it up and have another Feeling That Way/Anytime situation on my hands.![]()
This isn't a Trial By Fire, so feel Happy to Give us your best, whether you feel it's Sweet and Simple or Somethin' To Hide.
"Alive" is more than just a song
Funny - I never knew the name of this song. I always assumed it was something like Young, Wild, and Free.2. Magic Power
Album: Allied Forces (1981)
Writers: Rik Emmett, Mike Levine and Gil Moore
Lead vocals: Rik Emmett
Chart history: US Hot 100 #51, US Mainstream Rock #8
Video?: Yes
Lyrical category: Inspirational/hockey coach
Alert: This is Track 2 of Allied Forces. Or, for KarmaPolice, "the one that sounds like Journey."
"Magic Power" is one of the greatest songs ever written about the effect that music can have on people. It's also the song that most obviously symbolizes the symbiotic relationship Triumph had with its fans. Those letters that the band read in the "Rock & Roll Machine" documentary from fans who were despondent enough to consider suicide but carried on in part because of the inspiration they drew from Triumph's lyrics? I would bet you that "Magic Power" was the key song for a lot of those people.
Rik Emmett said on Behind the Vinyl that the song was inspired by something he did in childhood: sleep with a transistor radio under his pillow. "It was like my passport to a whole other universe." With the success of "Hold On" and "Lay It on the Line," he was now that person on the radio, and the song is written from that perspective.
"Magic Power" was the second and most successful single from Allied Forces, and Triumph's first song to reach the top 10 on the then-new Mainstream Rock chart (called Top Rock Tracks at the time.) I first came upon it via its video in rotation on MTV in 1982, which was a live track taken from a concert in Baltimore that would sometimes air on the channel in full late at night. I did not hear the studio version until I started listening to the FM rock stations in Philly a year or two later.
Like "Hold On," the song begins with an acoustic-guitar-and-synths passage, though Mike Levine's synths carry more of the melody this time. (Emmett told Behind the Vinyl that "Stairway to Heaven" inspired many songs that started quiet, got loud and ran for more than 3 minutes, and this was one of them.) Emmett's lilting voice on the first verse and proto-chorus draws you right into the song's main message of music's ability to inspire, and represents one of the best vocal performances he ever gave.
Something's at the edge of your mind
You don't know what it is
Something you were hoping to find
But you're not sure what it is
Then you hear the music
And it all comes crystal clear
The music does the talking
Says the things you want to hear
I'm young, I'm wild and I'm free
Got the magic power of the music in me
I'm young, I'm wild and I'm free
Got the magic power of the music in me
At this point, the tempo picks up and Emmett's electric guitar chimes in. As he sings the second verse, it seems like he is having a conversation with his own guitar.
The second verse is the pivotal one because it draws you in to the universe of a fan who is feeling bad about themselves but finds solace in the radio. This must have been how a lot of those letter-writers saw themselves. Tellingly, the fan depicted is a woman -- by the '80s, Triumph's audience was not a sausage-fest like Rush's, thanks to their sound being, as Uruk-Hai put it, a cross between Foreigner and Judas Priest.
This character is "actually me," Emmett said, "but when you change pronouns in a song, it opens up your audience. When we had this as a hit, all of the sudden we had females showing up to the gigs."
She climbs into bed
She pulls the covers overhead
And she turns her little radio on
She's had a rotten day
So she hopes the DJ's
Gonna play her favorite song
Makes her feel much better
Brings her closer to her dreams
A little magic power
Makes it better that it seems
The power chords kick in with the "Makes her feel much better" line and the tempo increases again, while the synths give way to an organ and we get to the Big Chorus:
She's young now, she's wild now, she wants to be free
She gets the magic power of the music from me
She's young now, she's wild now, she wants to be free
She gets the magic power of the music from me
That leads to a ringing transitional passage that wouldn't sound out of place on a Journey or Boston record, and then to Levine's bass playing a countermelody that sets up the bridge, whose lyrics are also pivotal to the song's main message, and which probably led many fans to think "how did you know what was going on in my head?" The music here recalls the dynamics of The Who, which Emmett gives credit to in the Behind the Vinyl interview.
You're thinking it over
But you just can't sort it out
Do you want someone to tell you
What they think it's all about
Are you the one and only
Who's sad and lonely?
You're reaching for the top
Well, the music keeps you going
And it's never gonna stop
It's never gonna stop
It's never gonna, never gonna, never gonna, never gonna stop
The last "stop!" is sung emphatically (Emmett: "that's a high D; at my age I can't sing them anymore") and then Emmett begins his first guitar solo, which is brief and sets up the third verse, whose first two lines bring into the mix a little of the "ordinary person struggling against the world" theme that Emmett employed in other songs.
The world is full of compromise
And infinite red tape
But the music's got the magic
It's your one chance for escape
Turn me on, and turn me up
It's your turn to dream
A little magic power
Makes it better than it seems
The instruments are really cooking now -- this is an incredible car radio song, for those of you looking for something to add to your road trip mixes -- and then we get the next iteration of the Big Chorus:
I'm young now, I'm wild now, I want to be free
Got the magic power of the music in me
I'm young now, I'm wild and I'm free
Got the magic power of the music
I got the music in me
"Magic Power" ends like "Hold On" does, with Emmett soloing his heart out in between the "magic"s and the "power"s, and this passage made for an incredible ending in concert.
I got the power
I got the magic
She's got the power
She's got the magic
She's got the power
She's got the magic
She's got the power
She's got the magic
The song sounds so "easy" but it had a difficult birth. "We loved the song, we just couldn't figure out how to record it properly and make it sound like Triumph," Levine told Behind the Vinyl. They solved their problem when someone (he doesn't remember who) said, "What would The Who do with this?" And that led to some of the elements that made the song work; otherwise "we were prepared to drop it."
"Magic Power" is another song that never left the setlist after it was introduced and has the fourth-most documented live performances after "Rock & Roll Machine," "Lay It on the Line" and my #1. (Weirdly, it was not performed at the 1981 Cleveland show broadcast for the King Biscuit Flower Hour, or was cut from the broadcast.) Often it was the next-to-last Emmett-sung song of the show, with my #1 being last. It even appeared on the Emmett-less Edge of Excess tour, with Rick Santers singing. It was featured at their 2008 reunion shows and, fittingly given its connection to the fanbase, was the last of three songs played at the band's surprise gig at a 2019 fan event, and thus the last song heard in the documentary (before the end credits). It's also been performed consistently by Emmett at his solo shows.
Levine: "In concert, this song was really, really special to play, because we didn't have to do anything. We would start the song, the audience would start singing, and we couldn't hear ourselves play, it was so loud. You would get chills."
In the Worldwide Countdown, Andy Dufresne selected Magic Power at #8.
Moving on from birds to locations with an obvious pivot point.For those following along, this week’s Deep Dive is keeping with the Avian theme, with the unfortunately not from Kansas, Jayhawks. Nowhere near as big as the eagles, sadly they seem to be underrated.
From Minnesota with a country rock sound, they had influence on Uncle Tupelo, among others.
Admittedly, I first listened to this band only for their name as I erroneously assumed they were from the third greatest place in the US. (Lawrence, KS) over the years I’ve liked a lot of their stuff but haven’t gotten deep yet.
It’s tempting to use them for a future countdown.
I had always liked this one but it really shot up my list after hearing it surface on The Bear. I had forgotten just how good it was.2.
Strange Currencies-R.E.M.
From Monster (1994)
Automatic for the people is, in my opinion, R.E.M. best album, but Monster is my favorite… and my favorite song off monster is “Strange Currencies.”
Ironically, of all the songs on Monster, Strange Currencies sounds like it could have been on AFTP. A song about unrequited love, this song came out at the same time as the end of my first real relationship. I guess, because of that, this one always stuck with me. It just reflects a wonderful mix of hopelessness and desire. Anyway, this song is just perfection in 4 minutes. perfect in every aspect.
Piker. I still have 40 albums to go.With 16 albums, it might be a challenge to get through the works of Kansas. But I’ll carry on.
How long are you taking for each artist? I’m changing weekly.Piker. I still have 40 albums to go.With 16 albums, it might be a challenge to get through the works of Kansas. But I’ll carry on.
One a week? You gotta pick up the pace!!Piker. I still have 40 albums to go.With 16 albums, it might be a challenge to get through the works of Kansas. But I’ll carry on.
Several weeks. But I sleep occasionally.How long are you taking for each artist? I’m changing weekly.Piker. I still have 40 albums to go.With 16 albums, it might be a challenge to get through the works of Kansas. But I’ll carry on.
It will be a multi-part thing. And this stuff took an odd turn. I'll never be Pip, but more research is needed.One a week? You gotta pick up the pace!!Piker. I still have 40 albums to go.With 16 albums, it might be a challenge to get through the works of Kansas. But I’ll carry on.![]()
SlackerBut I sleep occasionally.
2. Yours Is No Disgrace -- Yes (from The Yes Album)
https://www.youtube.com/watch?v=1fUudna1Xuw
With Steve Howe taking over on guitar, Yes made a huge jump in quality -- and popularity -- on their third record, The Yes Album. The new lineup spent months writing and rehearsing in mid-1970, and the new material bore many fruits from those efforts. Most impressive was the nearly 10-minute opener, which not only contains some extraordinary and fluid guitar work from Howe and some of Chris Squire's most melodic bass playing, but also, in contrast to how the band is stereotyped, took on current events in the lyrics. This is an antiwar anthem, and a powerful one, telling the soldiers that they had no choice but to fight and they weren't to blame for the situation.
The structure of the song is far more complex than what the band had attempted on its first two albums, and consisted of several sections that were developed separately in rehearsals and then stitched together -- but the flow and consistency of the song doesn't make that obvious. It heralded a very high level of composition and performance that the band would achieve in the next 2 years, which remains unmatched by most artists, and which would make them one of the top acts of the decade, even when some of their post-1972 albums fell flat.
I saw Yes in 1987 and 1991 and this was performed both times. At the 1991 show, which featured an 8-piece version of the band (Squire, singer Jon Anderson, guitarists Howe and Trevor Rabin, keyboardists Rick Wakeman and Tony Kaye, and drummers Bill Bruford and Alan White), they opened with a spectacular 20-minute version of this.
What is the name of your artist? | What is your FBG Screen Name? | #1 - |
The Walkmen | Scoresman | The Rat |
The Clash | kupcho1 | London Calling |
Ryan Star | Yambag | You and Me |
Yes | Yo Mama | Roundabout |
Built To Spill | The Dreaded Marco | Car |
Johnny Marr | Eephus | Johnny Marr--There Is a Light That Never Goes Out (Live)There Is a Light That Never Goes Out (Live)Johnny Marr · Adrenalin Baby - Johnny Marr Live · Song · 2015
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The Pretty Reckless | Raging Weasel | 25 |
Jeff Tweedy | Dr. Octopus | I’m the Man Who Loves You |
Journey | KarmaPolice | Stone In Love |
Lindsey Stirling | -oz- | Roundtable rival |
Triumph | Pip's Invitation | Fight the Good Fight |
Our Lady Peace | MAC | Starseed- YouTubeAuf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
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Mötley Crüe | JWB | Looks That Kill https://open.spotify.com/track/1Cznl5CD5aaEYMfJq1l9Hd |
The Airborne Toxic Event | Zegras11 | Sometime Around MidnightSometime Around MidnightThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
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Annie Lennox | Mrs. Rannous | Sweet Dreams (Are Made of This)Sweet Dreams (Are Made of This) - 2005 RemasterEurythmics, Annie Lennox, Dave Stewart · Sweet Dreams (Are Made Of This) · Song · 1983
![]() - YouTubeAuf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
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Whitney Houston | Charlie Steiner | I Didn't Know My Own Strength |
My Morning Jacket | landrys hat | Phone Went West (Live Vol 3 Bonnaroo)Phone Went West - LiveMy Morning Jacket · MMJ Live Vol. 3: Bonnaroo 2004 · Song · 2023
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Robyn | John Maddens Lunchbox | Dancing on My Own- YouTubeAuf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
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Tim Maia | Don Quixote | Gostava Tanto de Você- YouTubeEnjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
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Parliament Funkadelic | Uruk-Hai | One Nation Under A Groove One Nation Under A Groove - Funkadelic (1978) (youtube.com) |
Lord Huron | KarmaPolice | Meet Me In the Woods |
R.E.M. | Tuffnutt | Losing My Religion- YouTubeAuf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
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Radiohead | Titusbramble | Street Spirit (Fade Out) |
Candlebox | Mt.Man | Far Behind |
Eddie Vedder | Tau837 | Black- YouTubeEnjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
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The Bee Gees | zamboni | How Deep Is Your LoveHow Deep Is Your LoveBee Gees · Saturday Night Fever (The Original Movie Soundtrack) · Song · 1977
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Fred Eaglesmith | Mister CIA | Wilder Than Her- YouTubeAuf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
![]() Wilder Than HerFred Eaglesmith · The Official Bootleg Series Volume One · Song · 2001
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Ringo Starr | krista4 | Walk With You |
Big Room/Deep Big Room | zazale | The UndergroundThe UndergroundJustin Prime, Rave Republic, Kevin Krissen · The Underground · Song · 2023
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The Airborne Toxic Event | Zegras11 | Sometime Around MidnightSometime Around MidnightThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | The Airborne Toxic Event | Zegras11 | GasolineGasolineThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | All I Ever WantedAll I Ever WantedThe Airborne Toxic Event, Calder Quartet · All At Once · Song · 2011
![]() | Wishing WellWishing WellThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | Does This Mean You're Moving OnDoes This Mean You're Moving On?The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | Hell and Back | Changing | Faithless | Hollywood Park | I Don't Want to Be Here AnymoreI Don't Want To Be Here AnymoreThe Airborne Toxic Event · Hollywood Park · Song · 2020
![]() | All at Once | Happiness Is OverratedHappiness Is OverratedThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | Something You Lost | Welcome To Your Wedding Day | MissyMissyThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | PapillonPapillonThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | California | Come On Out https://open.spotify.com/track/5NUwYC6py4ebKmBb1bGj4a?si=0e39910cf7a14780 | Change and Change and Change and ChangeChange and Change and Change and ChangeThe Airborne Toxic Event · Songs of God and Whiskey · Song · 2015
![]() | Half Of Something Else | The Winning SideThe Winning Side - Bonus TrackThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | The LosingThis Losing - Bonus TrackThe Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009
![]() | Poor Isaac | Time To Be A Man | Bride and Groom | Glory | Hole In My Heart | Numb | Strange Girl | It Doesn't Mean A Thing | The Walk |
The Airborne Toxic Event Zegras11 Sometime Around Midnight
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Sometime Around Midnight
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
The Airborne Toxic Event Zegras11 Gasoline
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Gasoline
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
All I Ever Wanted
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All I Ever Wanted
The Airborne Toxic Event, Calder Quartet · All At Once · Song · 2011open.spotify.com
Wishing Well
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Wishing Well
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
Does This Mean You're Moving On
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Does This Mean You're Moving On?
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
Hell and Back
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Changing
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Faithless
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Hollywood Park
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I Don't Want to Be Here Anymore
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I Don't Want To Be Here Anymore
The Airborne Toxic Event · Hollywood Park · Song · 2020open.spotify.com
All at Once
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Happiness Is Overrated
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Happiness Is Overrated
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
Something You Lost
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Welcome To Your Wedding Day
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Missy
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Missy
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
Papillon
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Papillon
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
California
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Come On Out
https://open.spotify.com/track/5NUwYC6py4ebKmBb1bGj4a?si=0e39910cf7a14780Change and Change and Change and Change
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Change and Change and Change and Change
The Airborne Toxic Event · Songs of God and Whiskey · Song · 2015open.spotify.com
Half Of Something Else
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The Winning Side
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The Winning Side - Bonus Track
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
The Losing
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This Losing - Bonus Track
The Airborne Toxic Event · The Airborne Toxic Event (Deluxe Edition) · Song · 2009open.spotify.com
Poor Isaac
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Time To Be A Man
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Bride and Groom
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Glory
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Hole In My Heart
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Numb
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Strange Girl
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It Doesn't Mean A Thing
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The Walk
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I think I would have tapped out at that point.Fun fact: I dated a woman who, when this song came around the playlist, asked "Is this Michael Jackson?".
It didn't last long, though it wasn't because of thisI think I would have tapped out at that point.Fun fact: I dated a woman who, when this song came around the playlist, asked "Is this Michael Jackson?".
Lindsey Stirling -oz- Roundtable rival
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Fittingly, I almost forgot yesterday's.Thank you all for another great Round!!! @KarmaPolice is simply awesome on the playlists. I had every single one before it was time to post.![]()
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Thanks to both of you.Thank you all for another great Round!!! @KarmaPolice is simply awesome on the playlists. I had every single one before it was time to post.![]()
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Excellent choice, obviously. I don't even recall what I picked over this one in that countdown, but they had to be killer songs because this one is so damn good.1. Fight the Good Fight
Album: Allied Forces (1981)
Writers: Rik Emmett, Mike Levine and Gil Moore
Lead vocals: Rik Emmett
Chart history: US Mainstream Rock #18
Video?: Yes
Lyrical category: Inspirational/hockey coach
"Fight the Good Fight," my #1 Triumph song, pretty much encapsulates everything about them that was great: memorable riffs, guitar pyrotechnics, shifting dynamics, interesting rhythms, dazzling guitar solos, impressive singing and rocking the hell out. The band itself may have considered it their signature song, as it was the final encore at almost every concert they played from 1983 onward.
"Fight the Good Fight" was never released as a single (probably due to its length of 6 and a half minutes) and did not have a video made for its studio version, but still managed to hit the top 20 on the Mainstream Rock chart thanks to plenty of FM radio airplay, and to be in rotation in the early years of MTV thanks to the network's decision to frequently feature a live version from a 1982 concert in Baltimore. This was where I first came across the song and I was hooked instantly.
"It was a great concert song," Mike Levine said on Behind the Vinyl (he devoted some of his "Magic Power" segment to this song). "And it was a great album radio song. It was very cool to have both those songs cooking all the time on the radio. We used that as the encore for forever. Fun to play, lots of great pyro in it. We had what was called the 24-bomb salute. We had this big truss custom made right at the front of the stage. At one point in the song, 24 flashpots would go off. It all happened within 5 seconds, there would be clouds of smoke. We had a great, great concert experience. You came to see Triumph, you went home with a smile on your face and you were sweating like a pig."
Like a lot of the top-tier Rik Emmett-sung songs, "Fight the Good Fight" starts with an acoustic guitar-and-synth passage, but unlike with "Magic Power" and "Hold On," that gives way to power chords, bass and drums before the vocals come in. Those power chords form one of the most memorable riffs the band ever came up with, and they are juxtaposed with some nimble work from Levine and Gil Moore that could pass for Jones and Bonham.
Each verse comes with two parts, the first played over the previously introduced power chords, bass and drums and the second featuring a shift into a bass-driven melody, the return of the synth, and a higher-register vocal from Emmett.
The days grow shorter and the nights are getting long
Feels like we're running out of time
Every day it seems much harder tellin' right from wrong
You got to read between the lines
Don't get discouraged, don't be afraid, we can
Make it through another day
Make it worth the price we pay
The lyrics are as "inspirational/hockey coach" as it gets, and drive home one of the band's central themes, keeping positive in the face of adversity. The second verse, which follows the same structure as the first, has religious imagery, which has prompted much discussion over the years.
The Good Book says it's better to give than to receive
I do my best to do my part
Nothin' in my pockets I got nothin' up my sleeve
I keep my magic in my heart
Keep up your spirit, keep up your faith, baby
I am counting on you
You know what you've got to do
“My mom was a very religious person,” Emmett told Louder in 2024. “I was steeped in Christianity until I was about twelve, then I thought: ‘Wait a sec. I’m not buying into this idea of the Resurrection and an afterlife – I don’t want to be a hypocrite.’ When I opted out, it caused a big fall-out with my mom. I was her golden boy, singing first soprano in the church choir. My aunt Joan was actually dying of cancer when I wrote that song, and we talked about St. Paul saying to The Corinthians you gotta fight the good fight. But my take on that was that it needn’t necessarily be a religious thing. These days I’m a secular humanist, but I still believe the human spirit is a very powerful thing. Question is, are we going to use it like Putin uses it, or are we gonna use it like, say, Nelson Mandela used it?”
"My aunt was dying of cancer. What can you tell someone who is facing the last challenge of this life? Or - what will you tell yourself?" Emmett told Songfacts in 2021. "If you're in a rock band called Triumph, what message can you share with the people listening to a song on the radio, or standing on their chairs, out in an arena? Everyone gets to decide what their own 'good' fight will be, but everyone should be encouraged to discover it, and do it. In this, St. Paul was on the mark. It's about resilience. It's about persistence. It's about finding a calling when things get bleak."
Despite not being aimed at AM radio, this song has a Big Chorus, the difference from the band's singles being that it has loud power chords played over it.
Fight the good fight every moment
Every minute every day
Fight the good fight every moment
It's your only way
As we transition from the first chorus to the bridge, the tempo slows down and the acoustic guitar returns, and Levine's bass appears to start a conversation with Emmett's vocal, which sings what may be the band's most yearbook-quote-worthy lines:
All your life you've been waiting for your chance
Where you'll fit into the plan
But you're the master of your own destiny
So give and take the best that you can
That last word, "can," is sustained for a few seconds and leads in to the return of the power chords, out of which we get Emmett's guitar solo, one of his most lyrical ones that reaches crescendo after crescendo. The block from "can" to the end of the guitar solo may be my favorite musical passage in the entire Triumph catalog, and was extraordinarily exhilarating to witness in concert.
The power chords return to take us into the third verse, which ups the intensity of the vocal and touches on a theme we know from "Stairway to Heaven," which clearly was an inspiration for this song:
You think a little more money will buy your soul some rest
You'd better think of something else instead
You're so afraid of being honest with yourself
You'd better take a look inside your head
Nothing is easy, nothing good is free
But I can tell you where to start
Take a look inside your heart
There's an answer in your heart
We then get a second go at the Big Chorus and an extra bit after it that sets up the coda:
Fight the good fight every moment
Every minute every day
Fight the good fight every moment
Make it worth the price we pay
Every moment of your lifetime
Every minute every day
Fight the good fight every moment
Make it worth the price we pay
After the sustained "pay" we get an even more sustained "yeaaaaaah" and three guitar tracks going at once, one of which rips off a solo of great range. This is probably where the smoke bombs happened in concert. The studio version fades out here, but live, there was usually some sort of grand climax, since it was the last song of the night.
"Fight the Good Fight" has the third-most documented live performances of any Triumph song, and appeared in the middle of the set on the Allied Forces tour before taking up its position as show closer starting with the Never Surrender tour; it even had that honor when sung by Rick Santers on the Edge of Excess tour. It was a spectacular closer to the first concert I went to without my parents, a moment I will always remember.
"Fight the Good Fight" was the most popular Triumph song in the Worldwide Countdown. Zamboni took it at #6, Doug B took it at #11, Val Rannous took it at #16 and I took it at #18. While "Lay It on the Line" dominates with the younger crowd, "Fight the Good Fight" seems to be the favorite of middle-aged dummies everywhere.
Video that MTV played (live version taken from a 1982 concert in Baltimore): https://www.youtube.com/watch?v=RLHadAOjdeo
Live version from Cleveland in 1981, aired on the King Biscuit Flower Hour: https://www.youtube.com/watch?v=kw_ciG9-WC8
Live version from the US Festival in 1983: https://open.spotify.com/track/703pPJzcmL6vxBygasqXfz?si=861cb50fe88646ed
Live version from Stages: https://open.spotify.com/track/5FBhy79C8cGZwRKBUs2qpa?si=2a165da38af744b8
Live version from Montreal in 1985: https://www.youtube.com/watch?v=NW8bVjdBvGA
Live version from Detroit in 1986, aired on FM radio: https://www.youtube.com/watch?v=D2EigxSv5Q8
Live version from Halifax in 1987 (included on the A Night of Triumph DVD): https://www.youtube.com/watch?v=2-lGhKrypb0
Live version from Sweden Rock Festival in 2008: https://open.spotify.com/track/11nLZRIz7f41crmSrPZ6qL?si=c7cedbdd1766478d
Thank you all for following me on my journey as I revisited my tween/teen years.
It wasn’t easy coming up with my #1 song for the Bee Gees. But after seeing The Bee Gees: How Can You Mend a Broken Heart documentary (again, highly recommended if you haven't seen it) a few months ago, it became clear that “How Deep Is Your Love” had to be it.
The Bee Gees zamboni How Deep Is Your Love
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How Deep Is Your Love
Bee Gees · Saturday Night Fever (The Original Movie Soundtrack) · Song · 1977open.spotify.com
You ran a really tricky gauntlet, zam. I honestly thought you were gonna load up your Top 10 with obscure '60s outtakesIt wasn’t easy coming up with my #1 song for the Bee Gees. But after seeing The Bee Gees: How Can You Mend a Broken Heart documentary (again, highly recommended if you haven't seen it) a few months ago, it became clear that “How Deep Is Your Love” had to be it.
The Bee Gees zamboni How Deep Is Your Love
![]()
How Deep Is Your Love
Bee Gees · Saturday Night Fever (The Original Movie Soundtrack) · Song · 1977open.spotify.com
As keyboardist Blue Weaver emotionally describes it here, the song first came about when Blue was at the Le Château d'Hérouville, where as mentioned at #2, "More Than A Woman" was also recorded. Producer Robert Stigwood asked Barry to write the best love song he could for the Saturday Night Fever soundtrack. The great composer Chopin had once stayed at the chateau and Blue started noodling around with Chopin's Prelude in E Minor, based on a chord Blue knew resonated with Barry's voice. From that demo, Blue and the boys brought it to their studios in Miami, added the elegant dynamic electric piano along with the brother's harmonies, and the rest is history. A slice of near pop perfection, in my opinion, and one of the most beautiful love songs ever written. It's also fitting that the song plays over the ending of the movie:
I hope you enjoyed the up-and-down, diverse career arc of this long underappreciated band (thanks @simey for the earlier shout out). For me, it's penance for young zamboni despising them when growing up in the 1970s as a card-carrying member of the Kiss Army. Fortunately, my musical tastes expanded and appreciated different kinds of music, and the Bee Gees are right near the top of the list I've come to truly respect.
And echoed thanks to @Zegras11 and others that helped guide another great MAD countdown
lol - that would be trying too hard to be that guy. Their greatest success also happens to be their best material, at least to my ears.You ran a really tricky gauntlet, zam. I honestly thought you were gonna load up your Top 10 with obscure '60s outtakesIt wasn’t easy coming up with my #1 song for the Bee Gees. But after seeing The Bee Gees: How Can You Mend a Broken Heart documentary (again, highly recommended if you haven't seen it) a few months ago, it became clear that “How Deep Is Your Love” had to be it.
The Bee Gees zamboni How Deep Is Your Love
![]()
How Deep Is Your Love
Bee Gees · Saturday Night Fever (The Original Movie Soundtrack) · Song · 1977open.spotify.com
As keyboardist Blue Weaver emotionally describes it here, the song first came about when Blue was at the Le Château d'Hérouville, where as mentioned at #2, "More Than A Woman" was also recorded. Producer Robert Stigwood asked Barry to write the best love song he could for the Saturday Night Fever soundtrack. The great composer Chopin had once stayed at the chateau and Blue started noodling around with Chopin's Prelude in E Minor, based on a chord Blue knew resonated with Barry's voice. From that demo, Blue and the boys brought it to their studios in Miami, added the elegant dynamic electric piano along with the brother's harmonies, and the rest is history. A slice of near pop perfection, in my opinion, and one of the most beautiful love songs ever written. It's also fitting that the song plays over the ending of the movie:
I hope you enjoyed the up-and-down, diverse career arc of this long underappreciated band (thanks @simey for the earlier shout out). For me, it's penance for young zamboni despising them when growing up in the 1970s as a card-carrying member of the Kiss Army. Fortunately, my musical tastes expanded and appreciated different kinds of music, and the Bee Gees are right near the top of the list I've come to truly respect.
And echoed thanks to @Zegras11 and others that helped guide another great MAD countdown
Bravo, my friend.
That’s pretty funny considering we usually have similar tastes. I guess that’s a function here of a band that was also all over the place.Interesting that Zamboni's #1 is my #31 and his #31 is my #1.
I’m not sure if there is a chalk #1 for Tim Maia, but I think Gostava Tanto de Você would be in the running. It was one of the biggest hits of Tim Maia’s career. This was the first song from Tim Maia that I heard, and it prompted me down the rabbit hole of exploring more of his music.
Tim Maia Don Quixote Gostava Tanto de Você
https://open.spotify.com/track/6eDMElxeeKXs4DHTb0dGP0?si=IXTgXKZkRoieTWHS2Pczng- YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.youtu.be
Não sei por que você se foi Quantas saudades eu senti E de tristezas vou viver E aquele adeus não pude dar... Você marcou na minha vida Viveu, morreu Na minha história Chego a ter medo do futuro E da solidão Que em minha porta bate... E eu! Gostava tanto de você Gostava tanto de você | I have no clue on why did you go away I felt your absence so much And my life will be filled with sadness And that goodbye I couldn't say... You were important in my life Lived and died In my history I am even afraid of what is to come And of loneliness That knocks on my door And I I loved you so much I loved you so much |
Chalkiest of chalk picks, London Calling is by far my favorite Clash song. You've all probably heard it a thousand times, but there's a little to unpack here that may be of interest.
The Clash kupcho1 London Calling
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This is an apocalyptic song, detailing the many ways the world could end, including the coming of the ice age, starvation, and war. It was the song that best defined The Clash, who were known for lashing out against injustice and rebelling against the establishment, which is pretty much what punk rock was all about.
Joe Strummer was a news junkie, and many of the images of doom in the lyrics came from news reports he read. Strummer claimed the initial inspiration came in a conversation he had with his then-fiancee Gaby Salter in a taxi ride home to their flat in World's End (appropriately). "There was a lot of Cold War nonsense going on, and we knew that London was susceptible to flooding. She told me to write something about that," noted Strummer in an interview with Uncut magazine.
According to guitarist Mick Jones, it was a headline in the London Evening Standard that triggered the lyric. The paper warned that "the North Sea might rise and push up the Thames, flooding the city," he said in the book Anatomy of a Song. "We flipped. To us, the headline was just another example of how everything was coming undone."
The title came from the BBC World Service's radio station identification: "This is London calling..." The BBC started using it during World War II to open their broadcasts outside of England. Joe Strummer heard it when he was living in Germany with his parents.
At the end of the song, a series of beeps spells out "SOS" in morse code. Mick Jones created these sounds on one of his guitar pickups.
London Calling was a double album, but it wasn't supposed to be. The band were angry that CBS had priced their previous EP, The Cost of Living at £1.49, and so in the interests of their fans they insisted that London Calling be a double LP. CBS refused, so the band tried a different tactic: how about a free single on a one-disc LP? CBS agreed, but didn't notice that this free single disc would play at 33rpm and contain eight songs - therefore making it up to a double album! It then became nine when "Train in Vain" was tacked on to the end of the album after an NME single release fell through. "Train" arrived so late on that it isn't on the tracklisting on the album sleeve, and the only evidence of its existence is a stamp on the run-out groove and its presence on the end of side four. So in the end, London Calling was a 19-song double-LP retailing for the price of a single!