Northern Voice
Footballguy
I don't want to live like this, but I don't want to die.
Nicely done, NV.Spring Snow combines digital sounds and light/folk singing in a way that reminds me a bit of The Postal Service, the piano and autotune then transitions to something more Bon Iver-ish
Jerusalem, New York, Berlin is a piano driven finale with a wonderful sing a long quality.
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There are way more hits than misses here, the turn to piano/folk/country and the duets could turn some people off I'm sure but on first listen, I love it and that turn probably puts it even more in my wheelhouse for a band I already loved.
Nicely done, NV.
I've been a few songs behind you, probably a gin (or 2) ahead, and I can't succinctly summarize and describe music nearly as well as you do.
Just finished it. I can't say I love the album after one listen like I did with Modern Vampires of the City, but I like it a lot more than I thought I was going to after hearing a few of the singles.
Some are obnoxiously pretentious, some redundant, some prescient. I'm going accurate and prescient on this one.The first half of any Pitchfork review is just a further-condensed version of that band's Wikipedia page.
I still like Stereogum a lot, they seem to have more preference for bands with guitars that pitchfork had mostly moved on from.They’re tastemakers for sure but I like to know what’s out there. I’ve added Treble to the rotation too thanks to NV. What other review sites do y’all read?
Read this review and then the review for Morbid Stuff and tell me how they can possibly give Vampire Weekend the higher number rating.Good work, NV.
I sort of love this review, actually. I've given most of the album a listen and this is how I feel. As someone who grew up around those Tevas and that Peace Frog, I miss what the reviewer misses about Modern Vampires Of The City and their eponymous.
https://pitchfork.com/reviews/albums/vampire-weekend-father-of-the-bride/
Nitsuh Abebe is an excellent writer (who would wind up writing for New York Magazine) that The Ringer cited extensively when discussing the sociopolitical ramifications of guitar rock, critical analysis, and Vampire Weekend's rise to indie and mainstream stardom.I usually can't stand to read pitchfork reviews as they never get to the point but I read a good review of the cures disintegration yesterday on its 30th anniversary
https://pitchfork.com/reviews/albums/14288-disintegration-deluxe-edition/
I got their Staying Alive cover in my RR or DW a few weeks ago that I really liked, but upon exploring their original work, was not thrilled.Tropical #### Storm - ok NEXT
They're a side project of The Drones, who are great if you've never heard them.I got their Staying Alive cover in my RR or DW a few weeks ago that I really liked, but upon exploring their original work, was not thrilled.Tropical #### Storm - ok NEXT
Some friends and I revisited this nonsense the other day. The stillbirth line was a particular favorite.
I haven’t tried that hard with Pile but this sounds pfg.I like Pile. They can take a few listens. Magic Isn't Real is still my fave of theirs I think. They still sound straight out of 1994 in any case, maybe just a little mathier.
ahhhhhh... texas.I haven’t tried that hard with Pile but this sounds pfg.
I added this to my queue this morning because I know I’ve heard of them but I don’t remember why.I'm blown away by Active Listening: Night on Earth the debut album from Empath. I guess you'd call them noise pop but their songs defy definition. The flows beautifully between fragments of songs, noise and ambient sounds. I know that doesn't sound promising but it's a quick listen at 27 minutes.
I went camping this weekend... the new VW did a nice job of putting my son to sleep for the long-ish car ride each wayI tried getting into the VW record last night but I fell asleepThat's not necessarily on them
Great for work listening.Big Thief isn’t typically my thing but I can’t stop listening to this.
I like "Light Years", but I'm admittedly a little too into The National .The new National songs haven't grabbed me yet.
Yeah. I haven't loved the couple that I've heard either.The new National songs haven't grabbed me yet.
I like that BJM record a lot too.I tried getting into the VW record last night but I fell asleepThat's not necessarily on them
I like Pile. They can take a few listens. Magic Isn't Real is still my fave of theirs I think. They still sound straight out of 1994 in any case, maybe just a little mathier.
Have to be in the right mood maybe, but Big Thief can pretty much do no wrong right now. Adrienne Lenker just chews gum and writes great tunes..
Palehound's new stuff all sounds great too
Best of the year so far for me is Brian Jonestown Massacre. I keep on coming back Anton you cokey dreamboat
the scandinavians are up to stuff.I finally listened to the full Blood Command EP today, it was a fun, quick listen. I had no idea that Norwegian punk-metal was in my wheelhouse too.
I'm into it.New Charly Bliss album tomorrow. Kind of snuck up on me, their last one is great.
This was the exact same lyric off of Modern Vampires... at one point in the albumI don't want to live like this, but I don't want to die.
And my motto for the last 4+ years!This was the exact same lyric off of Modern Vampires... at one point in the album