This is a sample guest message. Register a free account today to become a member! Once signed in, you'll be able to participate on this site by adding your own topics and posts, as well as connect with other members through your own private inbox!
Favorite Brandi song so far. Prefer this much more than the countryish stuff.
This Genesis song sounds a little like ELO, and then it gets weird, then I hear something that sounds like Beck's Bolero then Yes. May add this to my "get high and blast off into space" playlist.
Decemberist's song really good. Hearted.
Trail of Dead - I kept waiting for it to get real heavy, so I felt I had heightened anticipation the entire song. But it never came, and I felt satisfied.
A classic Kinks tune.
Big Thief - not really one of my favorite tunes by them, but I want to take this opportunity to say that this album cover is one of the greatest feeling-invoking ever.
Taylor Swift. Wait, am I really commenting on a Taylor Swift song? I will admit to not being very familiar with her catalog. But this is really good. Strong Phoebe Bridgers vibe.
Ryan Adams - I really love when he sings those notes like at the 0:40 mark.
Really good Frank Black song.
I'm going to echo what others have said about Clutch. I like this song, but I can't stand these types of vocals. Could you imagine what this song would sound like with Craig Finn or J Mascis singing?
Dino Jr. Mind Glow. Hearted.
Doves N.Y. Oh hell yea. More of this!
Spoon and Foo songs good duh.
Simon and Garfunkel...now I know I'm high because there's not way this is a S&G song.
Bauhaus song, I love the baseline throughout the song. This may be the most accessible song to me to date. I don't know much about these guys, but dig that accent of the guy singing first part of song. But the other guy sounds like that dude from the B-52's who I loathe.
Heart - Bebe Le Strange. Hear the obvious the Zeppelin influence here more than most of their stuff. This is surprisingly new to me. Makes me want to party.
Tragically Hip hearted.
So much unheard/underrated Elton John songs out there in the universe.
This one struck me as I was doing my research on them and why I included it in my list. In hindsight, based on few comments about S&G, I regret not having gone with a different artist, but most of their big well known hits are about to show up.
All four members sing lead, though Trey Anastasio does the most. We have not gotten any Mike Gordon or Jon Fishman vocals yet (the latter mostly does covers).
Weren't you the two that suggested the Dead and Phish shows to me? Not sure how much I responded past that, but I did give both an honest shot. My feelings were that neither 100% clicked, but I was surprised how much I liked the Dead more than Phish. I was bracing myself when I saw Shuke's pick, but now I am surprised how much I am liking the Phish picks. They are officially in the group with the others that I am going to listen start to finish to their playlist and start exploring albums after this is over. I think there has only been 1, maybe 2 that I haven't added to the playlist and this one might be my favorite.
Do you come across many people who only like the studio version of Phish? Does a stance like that get you kicked out of the club?
This one struck me as I was doing my research on them and why I included it in my list. In hindsight, based on few comments about S&G, I regret not having gone with a different artist, but most of their big well known hits are about to show up.
I enjoy S and G, am quite familiar with all their stuff. I haven’t commented on them much because I know there’s about to be a huge run of songs from them that I have a pretty deep attachment to.
Big Thief - not really one of my favorite tunes by them, but I want to take this opportunity to say that this album cover is one of the greatest feeling-invoking ever.
it’s a picture of lead singerAdrianne Lenker being held by her uncle. Her life story is pretty wild. She was born in a Christian cult but her family moved out at a young age and then by a teen she was in some elite school for musicians where she spent many years training to become a pop star.
Bauhaus song, I love the baseline throughout the song. This may be the most accessible song to me to date. I don't know much about these guys, but dig that accent of the guy singing first part of song. But the other guy sounds like that dude from the B-52's who I loathe.
in all my years of fandom, i've yet to hear the B-52s bandied about as similar to our heroes from Northampton - now i gots TWO callbacks ... i'm sure Peter would be as ::shuked:: as i are at the Freddy S comp on vox - as i said yesterday, he were more high camp in "Departure" than usual ... but more Lydon/Bowie, who were both big influences - i believe they appeased Petey on this one 'cuz they pretty much crafted the album's bones without him, and they knew they were splittin' away from their troubled lead vocalist.
but Fred were nothin' if not the highest of camp hisself ... so you got that goin' for ya
Bauhaus song, I love the baseline throughout the song. This may be the most accessible song to me to date. I don't know much about these guys, but dig that accent of the guy singing first part of song. But the other guy sounds like that dude from the B-52's who I loathe.
in all my years of fandom, i've yet to hear the B-52s bandied about as similar to our heroes from Northampton - now i gots TWO callbacks ... i'm sure Peter would be as ::shuked:: as i are at the Freddy S comp on vox - as i said yesterday, he were more high camp in "Departure" than usual ... but more Lydon/Bowie, who were both big influences - i believe they appeased Petey on this one 'cuz they pretty much crafted the album's bones without him, and they knew they were splittin' away from their troubled lead vocalist.
but Fred were nothin' if not the highest of camp hisself ... so you got that goin' for ya
My take for "Lilies" was I got a B-52s vibe if they were sedated and possibly on ludes. I don't think the guy sounds like Fred. I think "Lilies" has a B-52s sound about it musically, especially if the B-52s slowed their music down. Speed up the song just a tad, and add Kate and Cindy on background vocals, and it would sound like a new male singing lead for the B-52s. I'm opposite of Shuke, I love the B-52s.
This one struck me as I was doing my research on them and why I included it in my list. In hindsight, based on few comments about S&G, I regret not having gone with a different artist, but most of their big well known hits are about to show up.
S&G are one of my favorites. I've been enjoying your picks of their songs. As matter of fact, when the new playlist comes out each time, the first thing I do is scroll to listen to the S&G song on it.
All four members sing lead, though Trey Anastasio does the most. We have not gotten any Mike Gordon or Jon Fishman vocals yet (the latter mostly does covers).
Weren't you the two that suggested the Dead and Phish shows to me? Not sure how much I responded past that, but I did give both an honest shot. My feelings were that neither 100% clicked, but I was surprised how much I liked the Dead more than Phish. I was bracing myself when I saw Shuke's pick, but now I am surprised how much I am liking the Phish picks. They are officially in the group with the others that I am going to listen start to finish to their playlist and start exploring albums after this is over. I think there has only been 1, maybe 2 that I haven't added to the playlist and this one might be my favorite.
Do you come across many people who only like the studio version of Phish? Does a stance like that get you kicked out of the club?
I have the one friend who likes the Billy Breathes album but hates everything else he’s heard from Phish (and hated the one show he went to with me), but otherwise it’s rare. We get more of the opposite — people who got into Phish shows in college who ignore or don’t care for/about the studio albums.
This one struck me as I was doing my research on them and why I included it in my list. In hindsight, based on few comments about S&G, I regret not having gone with a different artist, but most of their big well known hits are about to show up.
S&G are one of my favorites. I've been enjoying your picks of their songs. As matter of fact, when the new playlist comes out each time, the first thing I do is scroll to listen to the S&G song on it.
All four members sing lead, though Trey Anastasio does the most. We have not gotten any Mike Gordon or Jon Fishman vocals yet (the latter mostly does covers).
Weren't you the two that suggested the Dead and Phish shows to me? Not sure how much I responded past that, but I did give both an honest shot. My feelings were that neither 100% clicked, but I was surprised how much I liked the Dead more than Phish. I was bracing myself when I saw Shuke's pick, but now I am surprised how much I am liking the Phish picks. They are officially in the group with the others that I am going to listen start to finish to their playlist and start exploring albums after this is over. I think there has only been 1, maybe 2 that I haven't added to the playlist and this one might be my favorite.
Do you come across many people who only like the studio version of Phish? Does a stance like that get you kicked out of the club?
I have the one friend who likes the Billy Breathes album but hates everything else he’s heard from Phish (and hated the one show he went to with me), but otherwise it’s rare. We get more of the opposite — people who got into Phish shows in college who ignore or don’t care for/about the studio albums.
I saw one Phish show shortly after college and I enjoyed it but they didn’t hook me. I was a Dead guy, not sure if that matters.
In recent years I started listening to a few of Trey’s solo albums and then started getting into studio Phish a lot more than ever and have started to love them. I do listen to live shows on Spotify as well, and really like them of course.
I was supposed to see the Trey Anastasio Band when I first moved to Asbury in 2020 but Covid canceled the show.
I’m now seeing TAB at the Stone Pony Summer Stage on 7/7. Looking forward to it. I think he’s only playing that show and in Baltimore on the East Coast. Maybe Phish is also touring?
Yes, they are touring July into September, but they are doing several shows at a pretty limited number of venues...7 shows at Madison Square Garden alone.
A few #24 playlist favorites that are new to me...
A Rock 'n' Roll Fantasy - I don't know the Misfits album by The Kinks, and I like this a lot. The Selfish Giant, Coma, and Untitled #4 - I'd play these in Archie's meditation room. Archie is my orange w/ white cat. He likes to go in a specific room to regroup every day. Pictures of an Only Child - Nice piano driven song. Dirty Pool - Duchess - Two - Good stuff Mind Glow - l like the distorted guitar on this. Frank and Jesse James - I love Zevon's piano playing in this song. Blowin' in the Wind - Good cover The Knife , N.Y.Voices In My Head - Musical rides
WhisperIlllistentohearit - I dig it Standin' in the Rain - Love the orchestra in this one. Don't Carry it All - I like all the various instruments in this. Halfway to the Moon - Another song I like the piano in. I like all the electronic songs this round. Bebe Le Strange - I like this song and they sound sorta punkish at the end. Now the Struggle Has a Name - I was curious of what this song was about, and someone wrote in the comments section on YouTube it was about "the Residential School system and the long awaited apology that the was finally given to First Nations, Metis and Inuit peoples of Canada. Residential Schools were a policy and system designed to culturally wipe out the Indian of this country." I looked it up, and it was true. Their late lead singer, Gord Downie, did a lot of charity and humanitarian work, especially for indigenous people. In 2016, he was honored at an Assembly of First Nations ceremony, and he was given the Lakota spirit name, “He who walks with the stars.” Emotional ceremony.
I also like all the other new songs I didn't mention. I'm trying not to make this so long. One more thing, on the new to me songs, the song Departure reminds me of a scene in a movie where it is at night, and a sweaty guy is sitting up in bed looking around in paranoia, and his sanity is departing him.
A few favorites that I know (which is also all the songs I know)...
Learn to Fly - This song soars Grind - Jerry Cantrell has a unique gritty sound, and you can tell it is an AIC song just from hearing his guitar. (I've Been) Searchin' So Long - One of my favorites by them. Mellow - Great Elton song. Save the Life of My Child - S&G getting experimental. The White Lady Loves You More - Little Red Lights - Far Out Sing for Joy - I know this one by Frank Black Francis. My Song - I know this one too. Whatsername - I like that bass. We Are the Champions - I always think of their performance at Live Aid, and that great energy between the band and crowd. Good Time Gals - wooooooooooooo
All four members sing lead, though Trey Anastasio does the most. We have not gotten any Mike Gordon or Jon Fishman vocals yet (the latter mostly does covers).
Weren't you the two that suggested the Dead and Phish shows to me? Not sure how much I responded past that, but I did give both an honest shot. My feelings were that neither 100% clicked, but I was surprised how much I liked the Dead more than Phish. I was bracing myself when I saw Shuke's pick, but now I am surprised how much I am liking the Phish picks. They are officially in the group with the others that I am going to listen start to finish to their playlist and start exploring albums after this is over. I think there has only been 1, maybe 2 that I haven't added to the playlist and this one might be my favorite.
Do you come across many people who only like the studio version of Phish? Does a stance like that get you kicked out of the club?
I have the one friend who likes the Billy Breathes album but hates everything else he’s heard from Phish (and hated the one show he went to with me), but otherwise it’s rare. We get more of the opposite — people who got into Phish shows in college who ignore or don’t care for/about the studio albums.
I saw one Phish show shortly after college and I enjoyed it but they didn’t hook me. I was a Dead guy, not sure if that matters.
In recent years I started listening to a few of Trey’s solo albums and then started getting into studio Phish a lot more than ever and have started to love them. I do listen to live shows on Spotify as well, and really like them of course.
I was supposed to see the Trey Anastasio Band when I first moved to Asbury in 2020 but Covid canceled the show.
I’m now seeing TAB at the Stone Pony Summer Stage on 7/7. Looking forward to it. I think he’s only playing that show and in Baltimore on the East Coast. Maybe Phish is also touring?
Unfortunately, this is the only track from Misfits that will appear in my countdown...only so much space...It is also the track that had the most commercial success from the album. There are definitely some other solid tunes on Misfits including (IMO) the title track, Live Life, Black Messiah, and Hay Fever to name a few. Generally, this is not an album people point to when talking about quintessential Kinks. It was around this time the group shifted back to a little more "rock' album style and away from the concept albums they had been tinkering with through a good part of the 70's.
Headed out to a wedding (not my own) and trying to catch up before the new round gets posted:
The 24s
Brandi Carlile/My Song - the last couple of hers have really hit for me
The Decemberists/Don't Carry It All - These keep getting better and better. Love the harmonica (IIRC).
TOD/Pictures of An Only Child - I made a mental note of why I liked this one but can't seem to pull it up.
The Stranglers/Duchess - The last one gave me an Art Brut vibe and this one I glimpsed some Killers. Both of those are good things.
Halfway to the Moon/Phish - I've been trying real hard but it's tough to get past 30-plus years of prejudice that has 10 percent to do with the music and 90 percent to do with bad experiences, but this is the first one to hit for me. We'll see if it's a trend.
Dinosaur Jr/Mind Glow - once again, right in my wheelhouse.
Ray Charles/I've Got A Woman:
Doves/NY - This one was already on my Manc playlist but good to be reminded of it.
Bauhaus/Departure - I don't hear the Fred Schneider thing in the slightest. Coming from a guy for whom vintage Fred is nails on a chalkboard.
The Tragically Hip/How The Struggle... - Another list that keeps getting better and better.
I don't know if it's intentional, but Green Day has always been strong with album closers. You all got a taste of it with Macy's Day Parade and there are more to come, but Whatsername may be their best one. Each closer seems to tie a bow on what they're trying to accomplish on that particular record. In this one it was their dive into the rock opera deep end. 'Touching' is the most apt way to describe the first 2 minutes of this track, but the sudden bang halfway until the final cord is what makes this so memorable. Gone are the days of making music to mosh. Now it's time for sing along fist pumping anthems. And I don't think there was a better way to finish (arguably) their biggest and best work.
The next selection is from the same vein, but it's from her debut album, which had much less influence from the Hanseroth twins. I think the vocals are Brandi double tracked instead of harmonizing with them, so the vibe is a little different.
Damon Albarn - "The Selfish Giant" from Everyday Robots (2014)
Albarn went over twenty years before releasing anything under his own name. He went through at least four different band names during that time. He's still only released two solo albums to date, this one and his pandemic album The Nearer the Fountain, More Pure the Stream Flows (2021).
The logical assumption is he saves his more personal work for himself and indeed a few songs on Everyday Robots contain autobiographical references. "The Selfish Giant" is another taste of Albarn melancholia that grew on me after repeated listens. In particular, Damon's piano noodlings and the devastating:
I had a dream that you were leaving
It's hard to be a lover when the TV's on
And nothing is in your eyes
burned themselves into my consciousness. During the recording sessions, Damon supposedly wanted to replace the line about lover when the TV's on because he thought it reflected poorly on his marriage. Producer Richard Russell fought him on this so it stayed in.
Next track will confirm that everything on Rattus Norvegicus gets included. Duchess is a key track in their evolution from Punk to pop, but its structure is great, the sound is good, but I find something missing. Maybe a bit of feewing.
Black Maria from Something/Anything?LYRICS:Black Maria, you scare me soI feel as though my heart stop deadYou're a liar, this I knowI watch you go around my ...
The Second Song From The Album " The Lonesome Crowded West" Also i didn't put any pictures besides the album cover because it would be kind of pointless and ...
lyrics:You're gonna miss me, little darlin'The day that I'm gone You're gonna miss me, little babyThe day that I'm gone Cause I'm leavin' in the mornin' Won'...
Provided to YouTube by Universal Music GroupEverything Is Awful · The DecemberistsI'll Be Your Girl℗ 2018 Capitol Records, LLCReleased on: 2018-03-16Producer...
Official Music Video for “Aerodynamic”, taken from “Discovery” available on all platforms: https://daftpunk.lnk.to/DiscoverySubscribe to the official Daft Pu...
To not "lose something usual" about "tributes"... h'm, well, I made this "video footage", including some short clips of Elliott Smith. On the background: tho...
From Chicago III (1971)Motorboat To Mars (Written by Danny Seraphine)Free (Written by Robert Lamm)Danny Seraphine (drums)Robert Lamm (keyboards, background v...
"Mama Weer All Crazee Now" is a song by the British rock band Slade, released in 1972 as the lead single from their third studio album Slayed?. It was writte...
Provided to YouTube by Red EssentialSelkie Bride · Frank BlackHoneycomb℗ Cooking VinylReleased on: 2005-07-18Artist: Frank BlackAuto-generated by YouTube.
He mentions his father's carpet store in this polka. His dad, Stumpy Zevon, was a longtime Jewish mobster, who was Mickey Cohen's best man at one of his weddings. The elder Zevon was absent for much of WZ's childhood but periodically showed up with gambling winnings and corvettes. He had a carpet store near LA as a front for laundering cash. The store is a likely source of the asbestos that caused Zevon's terminal mesothelioma.
Notable Lyric:
I got a part-time job at my father's carpet store
Laying tackless stripping, and housewives by the score
I loaded up their furniture, and took it to Spokane
And auctioned off every last naugahyde divan
I'm very well aquainted with the seven deadly sins
I keep a busy schedule trying to fit them in
I'm proud to be a glutton, and I don't have time for sloth
I'm greedy, and I'm angry, and I don't care who I cross
Souk Eye is taken from the brand new album THE NOW NOW . Out Now: http://gorill.az/thenownowFollow Gorillaz: http://gorillaz.comhttp://facebook.com/gorillaz...
Provided to YouTube by IDOLDo I Ever Cross Your Mind · Ray CharlesTrue Genius℗ Tangerine Records Released Under Exclusive License to Exceleration Music Partn...
Provided to YouTube by Beggars Group Digital Ltd.Trouble Comes Running · SpoonTransference℗ 2010 Spoon under exclusive license to Matador RecordsReleased on:...
Who else gives the first verse to two background singers? I guess the same guy who also threw a great song to another artist and gave us the force of nature that is Chaka Khan. The same guy who - in his prime - produced two or three great LPs for his wife that were Stevie Wonder records in all but the lead vocal (seriously, go check out the '70s albums he did with Syreeta).
I wouldn't put a lot of money on it but, if forced to bet on a Stevie song that folks will still be listening to 1,000 years from now, my choice would be this one. He already had a HOF career before he put this record out, but "YATSOML" launched him into the stratosphere. There was a lot more to come, as he was just gaining steam.
"I feel like this the beginning, though I've loved you for a million years" is as good a description as I've heard of that rush you get when it all comes together and you realize "****, there goes my heart".
Maybe it's just me, but that mix on the link quoted to this record sounds "off" to me.
Song: Bad Blood
Album: 1989
Released: 2015
Artist: Ryan Adams
I doubt Adams was the first artist to cover another artists album cover to cover, but I do believe he made fashionable after he covered Taylor Swifts’ 1989 album. After that release, I remember seeing an influx of this happening.
I wasn’t a Swift fan at the time I first heard Adams take on 1989, but it did open my eyes as to just how good of a pop songwriter she is/was - and loved how Ryan is able to make the songs his own.
This is the second song from 2018's I'll Be Your Girl and in retrospect I should have placed Everything Is Awful immediately before or after We All Die Young as thematically they work so well together. (In my defense, they are separated on the album as well.)
Pitchfork referred to this song as a "sickly sweet" "novelty romp" and wrote it off as "Meloy’s answer, perhaps, to that manic theme from The Lego Movie". There's a reason I haven't paid attention to Pitchfork since dial-up.
I always thought of it as a state of the union address two years into an administration they just didn't cotton to. A little research on the google indicates I was correct.
CAUTION: THIS NEXT QUOTE MAY BE TRIGGERING TO CERTAIN POLITICAL PERSUASIONS:
READDORK: It’s the first tour since America went completely bonkers, has ‘Everything Is Awful’ been going down well with audiences?
COLIN MELOY: I’m pretty bummed out about it, to be honest. I don’t want to disparage the song from the record, but my relationship to the songs inevitably change every time. Something about going around even in an ironic way and proclaiming ‘everything is awful’ does an injustice to the fact that everything actually is awful, and it’s not that funny. So we’ve actually stopped playing that song. I feel like the joke ran thin after a few months and everything remains awful. I guess it’s just changed my opinion; I don’t feel like joking about it anymore.
I know you've worked so hard
To hoist your own petard
Must be so nice the point caught in your side
OK, hopefully you made it through that section of this post unscathed and - more important - I haven't gotten the thread locked for political discourse.
On a lighter note, song #22 will be the first of several selections from the world’s most overqualified LARP convention house band.
We’re on a string (ha?) of songs where the opening is all about the guitar and bass work. Where the riff grabs you and the harmonizing, someone haunting vocals lead to a catchy tune. So yeah, while I certainly think it holds its own, it’s fair enough to say that this gets a boost from sounding, you know, like other AIC songs.
If you’re thinking this has a familiar taste to it beyond AIC, you’re on a right track. Cantrell mentioned trying to channel David Bowie (“Fame” in particular) when working on the riff. He was less forward about its meaning, though DuVall said it’s “about how things aren’t always what they seem”. Which is pretty straightforward, though it can be taken in a lot of ways.
Next on the countdown, Friends Don’t Let Friends Get Friends Haircuts.
If we ever did a soundtrack of the Trump years “Everything Is Awful” would be one of the first tracks I’d think of. Noveltyish but it’s a good tune too. There were a few, I can’t think of more than a handful that I’d call good songs pertaining to that particular situation, though once covid hit (and George Floyd) everything went next level
She has the nuts-and-bolts of good songwriting down to a T. I'm not always crazy about the way her records are arranged, but that's a "me" thing and my ambivalence obviously doesn't affect her popularity. Out of the 2010s and early 2020s, she's THE singular artist and deserves every accolade and dollar she gets.
As far as Ryan Adams goes, he's the American version of Neil Finn (who is the Kiwi version of Paul and/or Stevie). You've been nailing these picks.
Sometimes I think it would be pretty sweet to be able to link two tracks together in the context of a playlist that gets shuffled, wouldn’t that be a cool feature?
Loving the Ray, for him probably more than anyone else on this thing, I am chomping at the bit for the full set
My Taylor Swift exposure as she hit her zenith came mostly from my constant late night talk show watching. To me it just wasn’t my style, kid stuff, no disrespect.
Later after I started losing jobs due to my trainwreck substance abuse I was driving Lyft in SF for a while, and I usually had pop radio on because I was usually driving rich kids around. There were a couple of Taylor songs I really started to dig. But I left it at that.
This is a good place to be hearing somebody’s honest take on her best stuff, nice work and a solid change up from all this crustiness
Sometimes I think it would be pretty sweet to be able to link two tracks together in the context of a playlist that gets shuffled, wouldn’t that be a cool feature?
Loving the Ray, for him probably more than anyone else on this thing, I am chomping at the bit for the full set
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.