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Official Music Video for Enrique Iglesias - I Like It (Jersey Shore Version) ft. Pitbull.Listen to Enrique’s album Final Vol.1 on:YouTube: https://www.youtub...
Sure - my second choice would be “I Don’t Wanna Go Home” by Johnny as written by Little Steven.
I was sitting at an outside bar in Asbury once and an older couple sat down next to me. I struck up a conversation and found out they were from Cleveland. They were part of some Southside Johnny club that tours around the country with him (like Dead Heads) - and seeing him at the Stone Pony was on their bucket list - they were there to see him that Saturday night. Go figure.
I actually went to that show. It was fun - like one giant party. It helped Charlie Watts had just passed so they played five Stones songs but it was a good show overall.
I also know why he’s called Southside - because Asbury has a North and Southside - broken up by Convention Hall. I’m on the Northside. Northside Sally.
Sure - my second choice would be “I Don’t Wanna Go Home” by Johnny as written by Little Steven.
I was sitting at an outside bar in Asbury once and an older couple sat down next to me. I struck up a conversation and found out they were from Cleveland. They were part of some Southside Johnny club that tours around the country with him (like Dead Heads) - and seeing him at the Stone Pony was on their bucket list - they were there to see him that Saturday night. Go figure.
I actually went to that show. It was fun - like one giant party. It helped Charlie Watts had just passed so they played five Stones songs but it was a good show overall.
I also know why he’s called Southside - because Asbury has a North and Southside - broken up by Convention Hall. I’m on the Northside. Northside Sally.
or, my favorite, "Talk to Me" ... maybe even "Trapped Again" - no shortage of prime cuts outta SSJ.
how long have you been in AP? the reno, in earnest, started about 20 yrs ago?
btw, very cool story about the SSJ & the Pony - do you remember summer of 2001(?), when "Holidays in the Sun" festival played there? punx from all over the world hit the boardwalk that weekend - was a riot ... kinda for real.
I moved here just a little over three years ago - after I split with my ex - but had an investment property with a few friends that was literally and figuratively on the wrong side of the tracks for about 18 years so have witness the revitalization and fell in love with the City.
Actually crossed my mind as I was writing it down (that Keith wrote songs that included rhythm and he played rhythm) but I don't know the Stones well enough, so I went with the traditional "better/more established guitar player played lead," etc., though that is maybe a shot at Brian Jones -- so who knows?
I'm certainly not a Stones expert, as you know. That's why I liked your countdown so much.
Actually crossed my mind as I was writing it down (that Keith wrote songs that included rhythm and he played rhythm) but I don't know the Stones well enough, so I went with the traditional "better/more established guitar player played lead," etc., though that is maybe a shot at Brian Jones -- so who knows?
I'm certainly not a Stones expert, as you know. That's why I liked your countdown so much.
In the Jones era there wasn’t much soloing or anything to really distinguish lead/rhythm. He probably played some lead then (on Sympathy most famously) but a lot of early songs featured the slide guitar and that was Jones, and they relied more on Jones generally- with his eclectic experimental instruments.
With Mick Taylor, he took a back seat. Really there was no choice. Mick was just better.
Kevin Haskins (drumner) has been his usual solid self ... cat has a very distinct style of playing, both sonically & physically - reminds me a ton of Charlie Watts in those respects (so maybe not as distinct, but rare enuff) - not a big banger or a pounder or a sledge - but can groove and swing and duck and fill with deft precision - achingly versatile, if not understated, for the most part.
much like Charlie, he keeps impeccable time, answers every shape shift - and, most importantly, keeps that bass well within reach at all times.
the Haskins are a criminally unsung backbone in the annals of all music, not just the goff genre, of which they were the kings.
another daughter, Diva, took to the bass for the Poptonesgigs a few years back ... she name dropped her sister's project in this interview, and also spoke of her own work.
the 'haus universe are pretty neat, eh? the lads look great, btw, all things considered (circa 5 or so yrs ago)
Today I learned that my blues guitarist cousin was nominated for a Grammy at some point. He posted a gig flyer on Facebook promoting him as “Grammy-nominated blues guitarist [stage name]”.
He played with Junior Wells for a few years in the ‘90s until Wells’ death, so it might’ve been from that, but I don’t know because he doesn’t tell the family much of anything. I didn’t learn he had fathered a daughter until a few years after she was born.
You're watching the official music video for Todd Rundgren - "Time Heals" from the album 'Healing' (1981)Subscribe to the Rhino Channel! https://Rhino.lnk.to...
Provided to YouTube by Universal Music GroupMinha Teimosia, Uma Arma Pra Te Conquistar · Jorge BenA Tabua De Esmeralda℗ 1974 Universal Music InternationalRel...
Provided to YouTube by Epic/LegacyLife Without You · Stevie Ray Vaughan & Double TroubleThe Real Deal: Greatest Hits Volume 1℗ 1985 Epic Records, a division ...
Project for my Time Arts class. It's a music video/storyboard-type thing of the Decemberists' "A Mariner's Revenge Song". This song has been one of my favori...
Provided to YouTube by RepriseThe Nightfly · Donald FagenThe Nightfly℗ 1982 Warner Records Inc.Keyboards, Organ, Synthesizer: Donald FagenLead Vocals: Donal...
Random Access Memories (10th Anniversary Edition) out now: https://daftpunk.lnk.to/RAM10sOfficial Music Video for “Technologic”, taken from “Human After All”...
Provided to YouTube by Universal Music GroupPitseleh · Elliott SmithXO℗ A Geffen Records Release; ℗ 1998 UMG Recordings, Inc.Released on: 1998-01-01Producer,...
Provided to YouTube by BMG Rights Management (UK) LimitedDapple Rose · SladeBeginnings / Play It Loud℗ 1970 While John Ltd. under exclusive licence to BMG Ri...
Farm (2009)Track List:"Pieces""I Want You To Know""Ocean In the Way""Plans""Your Weather""Over It'"Friends""Said the People""There's No Here""See You""I Don'...
The official lyric video for Ray Charles' "Hit The Road Jack" from the TRUE GENIUS boxset "Hit The Road Jack" was released in August 1961 and hit number one ...
‘The Hardest Cut’ comes from Spoon’s forthcoming album, ‘Lucifer on the Sofa,’ out Feb. 11th on Matador Records. Pre-order/save the album now: https://spoon....
Official video of ”Tunnel of Love" by Bruce Springsteen Listen to Bruce Springsteen: https://BruceSpringsteen.lnk.to/listenYD Pre-order the new album Letter ...
@otb_lifer commented on another song that the song reminded him of Paul Westerberg.
I was big into alt-country in the 90s, as I’ve said, but somehow Whiskey Town escaped me. I read about Adams and decided to give his new album a try and purchased my first Ryan Adams CD “Rock N Roll”.
I came for the alt-country and stayed for The Replacements. This album greatly departed from his roots and had an indie feel and there was some clear channeling of Mr. Westerberg thru the album. We’ll get two more songs coming up to further “prove” it.
Such a beautiful song - with powerful and sorrowful vocals from Phil, and with Tony Banks traveling to another planet halfway through.
This is a song about leaving something good in the search of “better”, and that the want for more is of our own creation and follows us no matter how green the grass is.
Was it summer when the river ran dry,
Or was it just another dam.
When the evil of a snowflake in June
Could still be a source of relief.
O how I love you, I once cried long ago,
But I was the one who decided to go.
Brandi Carlile · By the Way, I Forgive You · Song · 2018
open.spotify.com
The first of five from By the Way, I Forgive You is a little bit of everything that makes BC great...well crafted lyrics, some harmonies, and a little bit of Brandi belting it out. The whole song is a crescendo that delivers some goose bumps by the end.
I was walking along minding my own business grooving to the funky funky bassline in Chicago's Dialogue Pt. I getting myself warmed up for the yeah yeah yeahs in Pt. II when it segued in the Decemberists' sea shanty song. Nothing against the Decemberists or sea shantys but it was very abrupt.
Ah! Checking in at a shade shy of two and a half minutes, Them Bones has to grab you early or not at all. Appropriate to put this as Dirt’s opener, as a partial taste of what’s to come. High tempo, highly charged, and surprisingly catchy for a song about (accepting) one’s mortality.
Them Bones has proven to be a song that requires the right mood (maybe the right… enhancements, too? I don’t know. I’ve largely been straight edge). It fluctuated from me considering it for the top ten to pondering if it would make the top 31 (though it was never out). It’s hard to pin down exactly why it took such a rollercoaster ride, but it did.
And yes, this is the shortest song on this countdown. Sorry to anyone hoping that Iron Gland would make my Top 31. Or even really Top 90 (of 94).
Next on the countdown, a song I hope those sitting at their desks aren’t upset about.
A Sigur Ros song you can pronounce! It's funny. Sigur Ros writes these dreamy, epic sounding songs and for a lot of them there really isn't much meaning behind the song title or lyrics. This one is named after a street policeman. Olsen Olsen is also the name of a candy bar. This is another where a lot of fans have used it as a wedding song. If they only knew it was written about a cop or a snack.
Anyway, this is a song of two parts. The first part is dreamy, ethereal with a cool bass line and will make you say "Oh hey yeah this is a Sigur Ros song!" The second part then comes in with great drumming backing a local men's choir belting out the song's main tune, a tune that you may be whistling for the rest of the day after hearing it. The song is typical of early Sigur Ros , no lyrics, no fuzz, just a feel-good atmosphere.
18.
Pitseleh- Elliott Smith
From XO album The first time I saw you
I knew it would never last
I'm not half what I wish I was
I'm so angry
I don't think it'll ever pass
And I was bad news for you just because
I never meant to hurt you
Pitseleh is a Yiddish word that means Little one. I like to think that the theme of this song is an homage to Lennon's Jealous Guy (which he often covered) Its a song, not so much about unrequited love, but about being loved by someone who loves you, but knowing they’re only in love with who they think you are. And that you can only ever fail them and hurt them. Its a song that Elliott rarely played life... it called it too long and boring. But I find it amazing... in fact I'm questioning my ranking of it this low. when he says "no one deserves it" and the piano comes in... that just hits.
I was walking along minding my own business grooving to the funky funky bassline in Chicago's Dialogue Pt. I getting myself warmed up for the yeah yeah yeahs in Pt. II when it segued in the Decemberists' sea shanty song. Nothing against the Decemberists or sea shantys but it was very abrupt.
18. Dialogue (Pt. I & II)
Album: Chicago V (1972)
Writer: Robert Lamm
Lead vocals: Terry Kath and Peter Cetera
Released as a single: Yes (US #24; both parts were fused together and about 2 minutes were cut)
Robert Lamm wrote a number of political songs in Chicago's early years, and this one may be the most overt. The first part of "Dialogue" is what it says it is: A conversation between two college students, one played by Terry Kath, who is obsessed about all the ills of the world and how to fix them, and one played by Peter Cetera, who thinks that "everything is fine" and likes to get high. They share their perspectives and then come to an understanding, where Kath says the talk "eased my mind" and Cetera says "if you had my outlook, your feelings would be numb". This sets up the second part, where basically everyone holds hands and sings kumbaya, with up-with-people-type lyrics such as "we can make it happen," "we can change the world now," "we can save the children," etc. This is all set to a musical arrangement that is very easy to digest -- Part I sounds like a Jackson 5 outtake, while Part II is a wave of sound driven by electric piano, bass and horns that you just want to ride. The guitar solo halfway through Part II is as good an example as any of Kath's unique style.
The song hit #24 on the Billboard charts, which reflect sales and airplay, and #17 on the Cashbox charts, which reflect sales only, which suggests that some radio programmers avoided it because of the political and/or drug content. But perhaps because of the message, the song has appeared in live sets consistently throughout the band's career (including in their shows this year). And it was one of only three songs discussed in-depth in Robert Lamm and Lee Loughnane's interview with Dan Rather, in which all agreed that the song's lyrics are still relevant today.
Chicago V was the band's first single album and its first to hit #1. Between this and the presence of Saturday in the Park, the band's biggest and most radio-friendly hit up to that point, the perception is that it is the point where the band became more commercial and less experimental. But that's not really true. Most of the rest of the album is musically complex and jazz-oriented. Saturday in the Park is the exception, not the rule. There's a reason why for the album's second single, the label edited down a seven-minute two-part suite to five minutes: Absolutely nothing else on the record after Saturday in the Park and Dialogue is even remotely AM radio-friendly. In that way, plus the writing being dominated by Robert Lamm (who penned seven of the nine songs), it may have more in common with the debut album than any other. Chicago's '70s formula began with VI, not this album.
Live version from 1972: https://www.youtube.com/watch?v=ofu-CSJ0UN8
Leonid and Friends version: https://www.youtube.com/watch?v=PHUf2VRNA7M
At #17, a song about winter from a band whose songs often evoke summer.
Random thoughts about some of the #18s I already know:
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Driven to Tears is another banger from Zenyatta Mondatta, and has what may be Andy Summers' best guitar solo (there weren't many of them).
Mad Man Moon has very much the same vibe as Ripples -- if you liked that one, you'll like this one.
Destroyer is one of the Kinks' most energetic tracks and ended a frenetic sequence at the show I saw in 1990: State of Confusion -> (Wish I Could Fly Like) Superman -> Destroyer.
Working Man is the best example of early Rush's Zeppelinisms. There was great controversy when Ghost Rider left it out of his top 50 in his Rush countdown.
The Nightfly is Donald Fagen playing a character in a way he rarely did on Steely Dan albums, and doubles as an homage to the jazz records he loves.
Fuego may be Phish's best post-reunion song. It has the epic sweep of their most ambitious early material but the discipline of a veteran band.
Them Bones is a fist-pumper and one of the major reasons why I got into AIC.
You're My Best Friend has an incredible melody and sentiment. And the blasts of guitar from Brian May at the end are just triumphant.
Hit the Road Jack may be the best example of how Ray's personality shone through in his music.
Tunnel of Love is one of my favorite Springsteen songs. Great melody and arrangement, and few Bruce-isms that get on my nerves.
City's Burning is a ferocious rocker. It was one of the first Heart songs I was exposed to, as its video was played on MTV in its early years.
Honky Cat's biggest strength is the way the horns play off Elton's piano.
* - Eephus would say it's not from Healing, as it was not included on the LP but was the A-side of a 45 that was packaged with it. It (and the B-side, Tiny Demons) do appear on the cassette and CD versions.
Miracle is the fourth song I chose from the In Your Honor album, which I described in a previous post. This song is the second I chose from the acoustic disc of that double album.
In addition to the regular band members (Grohl, Mendel, Shiflett, and Hawkins), John Paul Jones (yes, that JPJ) plays piano on the song, and Petra Haden plays violin.
Just because a song is quiet doesn’t mean it can’t have forward motion, and that’s why “Miracle” works so much better than many of the other tracks on In Your Honor’s second disc. Much of the credit goes to John Paul Jones. By bringing in Led Zeppelin’s bassist, the Foo Fighters add an extra bit of drive. So what if he’s playing piano and not bass? This is a man who, to put it lightly, obviously knows a thing or two about rhythm, which translates to several different instruments. His presence gives “Miracle” a quiet power.
The Nightfly is the title track to Donald's first solo album and is the second song from it to appear on my list.
Thanks to the previous entry from this album, I.G.Y., we know we've taken a trip back to young Donnie Fagen's childhood, smack dab in the middle of those feel good about America and positive about the future Eisenhower years. In that song, we also learned that Donnie was imbued with a sense of optimism about the future, and I think having a character like Lester the Nightfly filling his nights with glimpses of America's whacky and offbeat side was pivotal in shaping the young man's dualistic outlook on life.
At first, I thought of the great Jean Shepherd as the inspiration for this character, but with a little digging, I also found another possible source: one Long John Nebel. Never heard of him before so I can't make a firm connection, but the time frame and lyrics make it at least plausible. Maybe our resident silverback @otb_lifer has heard of him?
One of my favorite ELO tunes. After a false start or two, it turns into a jaunty little number with a nice bass line. Then, because it's ELO, halfway through it completely shifts gears and becomes (literally) jungle bongos with strings, before going back to the jaunty song. On the album, the ending keyboard fade goes right into the violin on Livin' Thing, which is awesome.
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Year - 1982 Album - The Collection 1977-1982 UK Chart position - #7 Vocals - Hugh Cornwell Key Lyric - She didn't know how to live in a town that was rough
It didn't take long before she knew she had enough
Walking home in her wrapped up world
She survived but she's feeling old
And she found
All things cold
Interesting Points
1- There is a 5th songwriter credited here called Hans Wärmling. He was the keyboardist before Dave Greenfield. He co-wrote 3 songs, but this was the only one to see the light of day. It didnt see the light until the band needed a song for their greatest hits collection, 1977-1982. This one was dug up and redone.
2- Wärmling, who was a Nurse, met Hugh Cornwell while he was doing his Post Grad in Sweden. Wärmling needed 500 songs translated into English and he and Cornwell became close friends.
3- Wärmling left the band in 1975. The band had to do covers to get gigs and he drew the line at having to learn TIe a Yellow Ribbon Round the Old Oak Tree. He returned to Sweden immediately. Dave Greenfield answered an ad in Melody Maker and the rest is history. Wärmling died in a boating accident in 1995.
4- Tori Amos released a cover of this and named her concept album Strange Little Girls. Many big name artists were covered on this album such as Depeche Mode, Neil Young, the Beatles, Eminem, Slayer, Tom Waits, 10cc and Lloyd Cole
5- The 1982 video features girls walking around London dressed as Punks. A far cry from 1977
Where to find
Rattus Norvegicus - 4/9
No More Heroes - 0/11
Black and White - 1/12
The Raven - 2/11
The Gospel According to the Meninblack - 0/10
La Folie - 1/11
Feline - 0/9
Aural Sculpture - 2/11
Dreamtime - 0/10
All Live and All of the Night - 1/13
10 - 0/10
1991 onwards - 0
B Sides - 0
Greatest Hits - 1
Standalone Single - 2
Rundown
#31 - Walk on By
#30 - Ugly
#29 - All Day and All of the Night
#28 - Meninblack
#27 - Goodbye Toulouse
#26 - Princess of the Streets
#25 - Sweden (All Quiet on the Eastern Front)
#24 - Duchess
#23 - Sometimes
#22 - La Folie
#21 - North Winds
#20 - No Mercy
#19 - 5 Minutes
#18 - Strange Little Girl
Next we have a B-Side. Why is it this high? Find out soon
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Indeed - the 8th video played on MTV on opening day of August 1, 1981. For the trivia buffs:
1 "Video Killed the Radio Star" - The Buggles
2 "You Better Run" - Pat Benatar
3 "She Won't Dance With Me" - Rod Stewart
4 "You Better You Bet" - The Who
5 "Little Suzi's on the Up" - Ph.D.
6 "We Don't Talk Anymore" - Cliff Richard
7 "Brass in Pocket" - The Pretenders 8 "Time Heals" - Todd Rundgren
At first, I thought of the great Jean Shepherd as the inspiration for this character, but with a little digging, I also found another possible source: one Long John Nebel. Never heard of him before so I can't make a firm connection, but the time frame and lyrics make it at least plausible. Maybe our resident silverback @otb_lifer has heard of him?
but, yeah ... as kids, we felt like this were the most subversive s*** we could be exposed to - it were very hard commandeeering the radio for me, what with three brothers and mom in a 4 room apt ... was too young to buy my own transistor, though i did finally get one for Christmas - but the battery drain made that very tough to upkeep - one of my best buddies had 5 older brothers, all kookier than the next, and one of 'em would tape the show intermittently ... we group listened to the cassettes only a handful of times, as LJN shuffled off while we were very young.
when i finally discovered Art Bell i felt like it were a sort of homecoming (oh ... hai, Bono) - all love for MiTD rooted back in that 48th St. apartment - always remembered.
Cousin Brucie, Ron Lundy, Dan Ingram, Allison Steele, Dennis Elsas - them NY radio folk were golden back then.
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Indeed - the 8th video played on MTV on opening day of August 1, 1981. For the trivia buffs:
1 "Video Killed the Radio Star" - The Buggles
2 "You Better Run" - Pat Benatar
3 "She Won't Dance With Me" - Rod Stewart
4 "You Better You Bet" - The Who
5 "Little Suzi's on the Up" - Ph.D.
6 "We Don't Talk Anymore" - Cliff Richard
7 "Brass in Pocket" - The Pretenders 8 "Time Heals" - Todd Rundgren
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Indeed - the 8th video played on MTV on opening day of August 1, 1981. For the trivia buffs:
1 "Video Killed the Radio Star" - The Buggles
2 "You Better Run" - Pat Benatar
3 "She Won't Dance With Me" - Rod Stewart
4 "You Better You Bet" - The Who
5 "Little Suzi's on the Up" - Ph.D.
6 "We Don't Talk Anymore" - Cliff Richard
7 "Brass in Pocket" - The Pretenders 8 "Time Heals" - Todd Rundgren
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