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DR★ Music Draft reopened: make any outstanding picks and let's talk about the next draft (1 Viewer)

Holy ####, am I missing something or is the greatest singer of all time* not yet taken?

OK, I did a search.  Still on the board.

*I might be exaggerating, but not by much.

 
Holy ####, am I missing something or is the greatest singer of all time* not yet taken?

OK, I did a search.  Still on the board.

*I might be exaggerating, but not by much.
yeah, it's been almost 20 yrs since he skiied into a tree, but i guess he's been forgotten  :shrug:

 
*PHEW*

all that big country talk scared the crap out of me... was always going to take this scottish king of post-punk/early new wave guitar... now just taking him a round or so earlier than I thought.  if it's not scottish it's crap! took me years to figure out he was the sound and the guy on all of these bands and albums that I loved...

6.3... John McGeoch... Guitar

again- like Worrell- soo many bands and songs... here's a few- I'll try to do them in chronological order:

the light pours out of me- Magazine

fade to grey- visage

monitor- siouxsie and the banshees (halloween, spellbound)

the glory of love- the armoury show

seattle- PIL

 
Holy ####, am I missing something or is the greatest singer of all time* not yet taken?

OK, I did a search.  Still on the board.

*I might be exaggerating, but not by much.
still a bunch of people you could lay that claim to left out there. 

those are people who died, died.

 
*PHEW*

all that big country talk scared the crap out of me... was always going to take this scottish king of post-punk/early new wave guitar... now just taking him a round or so earlier than I thought.  if it's not scottish it's crap! took me years to figure out he was the sound and the guy on all of these bands and albums that I loved...

6.3... John McGeoch... Guitar

again- like Worrell- soo many bands and songs... here's a few- I'll try to do them in chronological order:

the light pours out of me- Magazine

fade to grey- visage

monitor- siouxsie and the banshees (halloween, spellbound)

the glory of love- the armoury show

seattle- PIL
Big fan.  He was definitely on my medium list. 

He's not flashy or easy to pigeonhole but was always inventive and complimented whichever singer was up front.  I've listened to and read about music for a half century; I still don't know what the word 'angular' means exactly but it seems like it fits McGeoch's as well as anything.  It's a lot more common nowadays but when he started with Magazine, it was unusual to have  a rock guitar player who didn't owe a big debt to the blues.  He's not around to contradict me but I don't hear it in his playing.

 
Big fan.  He was definitely on my medium list. 

He's not flashy or easy to pigeonhole but was always inventive and complimented whichever singer was up front.  I've listened to and read about music for a half century; I still don't know what the word 'angular' means exactly but it seems like it fits McGeoch's as well as anything.  It's a lot more common nowadays but when he started with Magazine, it was unusual to have  a rock guitar player who didn't owe a big debt to the blues.  He's not around to contradict me but I don't hear it in his playing.
thanks eephus- love reading that.

 
*PHEW*

all that big country talk scared the crap out of me... was always going to take this scottish king of post-punk/early new wave guitar... now just taking him a round or so earlier than I thought.  if it's not scottish it's crap! took me years to figure out he was the sound and the guy on all of these bands and albums that I loved...

6.3... John McGeoch... Guitar

again- like Worrell- soo many bands and songs... here's a few- I'll try to do them in chronological order:

the light pours out of me- Magazine

fade to grey- visage

monitor- siouxsie and the banshees (halloween, spellbound)

the glory of love- the armoury show

seattle- PIL


hfs - that pick is right the mutha fudge up in my wheelhouse - fantastic snag  :thumbup:

a mercenary soul he was, so glad to see him get some love. 

 
Big fan.  He was definitely on my medium list. 

He's not flashy or easy to pigeonhole but was always inventive and complimented whichever singer was up front.  I've listened to and read about music for a half century; I still don't know what the word 'angular' means exactly but it seems like it fits McGeoch's as well as anything.  It's a lot more common nowadays but when he started with Magazine, it was unusual to have  a rock guitar player who didn't owe a big debt to the blues.  He's not around to contradict me but I don't hear it in his playing.
thanks eephus- love reading that.
fair to say that Edge might owe a bit to him? 

 
Guitar slinging sidemen usually only get famous if they were a long-term member of a beloved band.  I guess McGeoch's tenures with Siouxsie and PiL were probably his highest profile gigs but he didn't stay with either for very long. 

I have that Armoury Show album on vinyl and have carried it on my ipod for years but frontman Richard Jobson was more annoying than when he was with The Skids (w/ Stuart Adamson).  I don't think McGeoch did much session work, perhaps because his style was too idiosyncratic.  He was always in good bands but none that were very big.

 
Guitar slinging sidemen usually only get famous if they were a long-term member of a beloved band.  I guess McGeoch's tenures with Siouxsie and PiL were probably his highest profile gigs but he didn't stay with either for very long. 

I have that Armoury Show album on vinyl and have carried it on my ipod for years but frontman Richard Jobson was more annoying than when he was with The Skids (w/ Stuart Adamson).  I don't think McGeoch did much session work, perhaps because his style was too idiosyncratic.  He was always in good bands but none that were very big.
his career is kind of crazy... seems like he just kept stumbling into new bands. I think he was a founding member of Magazine, but like you say was brought in as a gunslinger with visage, siouxsie and PIL. his work with siouxie was just massive- every song seemed like it had blistering and iconic guitar work on it.

totally agree wtih you about armoury show front man being too much to take... otherwise, that would've/should've been a bigger band with a longer run. tbh, I didn't even realize he was with PIL until I started digging for this... seattle probably my favorite later tune of theirs with major debt to his guitar work. and then found out he became a nurse practitioner later in life. wtf.

 
For my Songwriter I'm going to go with one of my favorites from listening to music with Mom during the 70s. I realize he died when I was barely 3, but his music continued on big thereafter. I love acoustic music, and his type of song would have fit in so well in the rebirth of acoustic in the 90s. I also love when you get to hear the story behind the creation of the song, which is why I put this version up on YouTube myself. I had seen other people put up this exact version, they just left of the minute or so when he describes how he got to the song.

6.05 - Composer/Songwriter - Jim Croce - Bad, Bad, Leroy Brown

It's also interesting to note that this song was the 2nd #1 song to feature the word 'damn' after 'The Theme from Shaft'.

You know you are a good songwriter when Frank Sinatra sings one of your songs!

ETA: I forgot to mention that the guy who is playing with him, Maury Muehleisen, also died in the plan crash that killed Jim Croce.

 
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Otis Redding vocals Sitting on the Dock of the Bay

I think he is one of the better fits for my setup. I am actually forming a band with my picks.

Hendrix & Stevie Ray

Kurt Cobain & Otis Redding

Clarence Clemmons

Buddy Miles
FINALLY.  SOD for sure.

I'd put the #3-5 tracks on Otis Blue up against any three-song run ever recorded:

A Change is Gonna Come

Down in the Valley

I've Been Loving You Too Long

Those last two are absolutely drenched in sexuality, by the way.

 
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Otis would slap every one of em upside the head & probably shoot the fat kid
He's forty-five+ and in the Arrivals also?  

Green Day stole the riff from that to make American Idiot. It's sort of a famous punk song...

I was almost at that show, but didn't want to drive on Memorial Day in any sort of bad state.

 
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He's forty-five?  

Green Day stole the riff from that to make American Idiot. It's sort of a famous punk song...

I was almost at that show, but didn't want to drive on Memorial Day in any sort of bad state.
one of these days i'm going to start a thread about the difference between art, expression & entertainment in music and will show as little patience with a LOT of music around as the guys who spent their whole lives making their notes would.

 
one of these days i'm going to start a thread about the difference between art, expression & entertainment in music and will show as little patience with a LOT of music around as the guys who spent their whole lives making their notes would.
You should. Would be interesting.

 
one of these days i'm going to start a thread about the difference between art, expression & entertainment in music and will show as little patience with a LOT of music around as the guys who spent their whole lives making their notes would.
One of these days I'm going to start a thread about everyone's favorite shampoo bottle designs

 
rockaction said:
cosjobs said:
Otis Redding vocals Sitting on the Dock of the Bay

I think he is one of the better fits for my setup. I am actually forming a band with my picks.

Hendrix & Stevie Ray

Kurt Cobain & Otis Redding

Clarence Clemmons

Buddy Miles
I considered him for 1.06 back when this was first conceived. Great pick.  
definitely- 1st round talent for sure.

whoa... jimi and stevie on axe? jeebus... which one plays rhythm?

 
been thinking about it awhile. it'll probably have sufjan stevens in the title. a real A&R man would be giving out an awful lot of "incomplete" grades these last few decades and incomplete's a sin in art
-It was for freedom/from my heart and from the land/I've made a lot of mistakes/in my mind in mind

-Goldenrod and the 4H stone...

 
6.08 BJWilson, drummer Power Failure

Seen all the greats (Moon, Bonzo, Palmer, Cobham, assorted draft elig jazzbows etc etc) and no one has impressed me as much as Procol Harum's BJ Wilson. He was to drums what James Jamerson was to the bass - he framed the moment within a song and gave it feel & import like no one else. Procol was one of the first bands to record with a symphony orchestra and i'm as sure as i am sitting here that the reason it was offered to them is the classical heft Wilson drumming imparted upon their songs. With Brooker's grandpiano pointed toward center stage, they put BJ's tiny kit in the middle in concert, and with his old-sahioned jazz grip, he hovered over his drums like three witches over a kettle and it was transporting to watch. A kickass drummer AND a true percussionist and the only rock drummer i'd pair with Jaco in my supergroup.

 
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