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MAD - Artist - Round 4 - #1's have been posted (4 Viewers)

I Don't Believe You was my favorite Ringo so far. I was talking to my dad today a little about music as I redid his Spotify downstairs. I could have sworn I had a small stack of albums from my parents in the basement, and have an image of Sgt. Peppers being one. My mom said at Christmas, if so it was his. Couldn't find that, but I was a little surprised that the first person he looked up was George Harrison. I laughed because he said something like "well, not this downer song - I like the more upbeat ones". Anyway, this song reminded me of that conversation as I listened to it again tonight, and I should ask him about solo Ringo.

Aw, that's a great story.

I doubt your dad will know three of the top five Ringo, including I Don't Believe You, so it's your chance to introduce him to more. :lol:
 
I Don't Believe You was my favorite Ringo so far. I was talking to my dad today a little about music as I redid his Spotify downstairs. I could have sworn I had a small stack of albums from my parents in the basement, and have an image of Sgt. Peppers being one. My mom said at Christmas, if so it was his. Couldn't find that, but I was a little surprised that the first person he looked up was George Harrison. I laughed because he said something like "well, not this downer song - I like the more upbeat ones". Anyway, this song reminded me of that conversation as I listened to it again tonight, and I should ask him about solo Ringo.

Aw, that's a great story.

I doubt your dad will know three of the top five Ringo, including I Don't Believe You, so it's your chance to introduce him to more. :lol:
What I forgot to post is that better than finding the album, I stumbled on a picture of him and me at my sister's wedding that was always one of my favorites. Ah, when we had hair.. I showed him and he asked if he could have it for his room.

I made a CCR playlist this summer and sent that to him, and was working on a Steppenwolf one. Maybe I'll send him the Ringo and pass it off as my own. ;)
 
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For those following along, this week’s Deep Dive is keeping with the Avian theme, with the unfortunately not from Kansas, Jayhawks. Nowhere near as big as the eagles, sadly they seem to be underrated.

From Minnesota with a country rock sound, they had influence on Uncle Tupelo, among others.

Admittedly, I first listened to this band only for their name as I erroneously assumed they were from the third greatest place in the US. (Lawrence, KS) over the years I’ve liked a lot of their stuff but haven’t gotten deep yet.

It’s tempting to use them for a future countdown.
I’m a big fan - and have considered them for another round as well.
 
4's PLAYLIST

The WalkmenScoresmanWe've Been Had
The Clashkupcho1I Fought the Law
Ryan StarYambagPerfect
YesYo MamaStarship Trooper
Built To SpillThe Dreaded MarcoLiar
Johnny MarrEephusJohnny Marr--New Town Velocity
The Pretty Reckless Raging Weasel Got So High
Jeff TweedyDr. OctopusMisunderstood
JourneyKarmaPoliceIt's All Too Much
Lindsey Stirling-oz-Hold my heart
TriumphPip's InvitationLay It On the Line
Our Lady PeaceMACThief
Mötley CrüeJWBShout at the Devil
The Airborne Toxic EventZegras11Wishing Well
Annie LennoxMrs. RannousLittle Bird
Whitney HoustonCharlie SteinerMillion Dollar Bill
My Morning Jacketlandrys hatDancefloors (Live Vol 3 Bonnaroo)

RobynJohn Maddens LunchboxHang With Me
Tim MaiaDon QuixoteNobody Can Live Forever
Parliament FunkadelicUruk-HaiMaggot Brain
Funkadelic - Maggot Brain [HQ] (youtube.com)
Lord HuronKarmaPoliceNot Dead Yet
R.E.M.TuffnuttOrange Crush

RadioheadTitusbrambleThere There
CandleboxMt.Man10,000 Horses
Eddie VedderTau837State of Love and Trust
The Bee GeeszamboniI Can't See Nobody
Fred EaglesmithMister CIAThe Highway Callin'
Ringo Starrkrista4Weight of the World
Big Room/Deep Big RoomzazaleGet Wet
 
4. Lay It on the Line
Album: Just a Game (1979)
Writer: Rik Emmett
Lead vocals: Rik Emmett
Chart History: US Hot 100 #86
Video?: Yes
Lyrical category: Love/lust/breakup

Alert: This is Track 2 on Just a Game.

Among Boomers and Gen Xers -- the people who remember Triumph when they were active -- there are a handful of tunes in the discussion about what is the band's signature song. For Millenials and Zoomers, there is no debate: It is "Lay It on the Line," the second single from Just a Game and one of the band's first songs to make an impact on radio in the U.S. "It created kind of a formula for us," Mike Levine said on Behind the Vinyl many years later.

The reason has nothing to do with anything that happened when the band was active. Instead, it is due to the song's inclusion on Guitar Hero 5 in 2010. This sparked renewed interest in the band, leading to the release of a new compilation, Greatest Hits Remixed, which remains the band's most popular release on streaming services and on which, you guessed it, "Lay It on the Line" is Track 2. "Lay It on the Line" is by far the band's most popular track on Spotify, as the Greatest Hits Remixed version has more than 25 million listens and nothing else is over 20 million. Throw in the Just a Game version and the version from Classics, a 1989 compilation, and "Lay It on the Line" has more than 30 million listens, not counting live versions.

The song begins with some mellow guitar chords with synths in the background, over which Rik Emmett lays some ascending notes that take us into the song. As Emmett begins to sing the first verse, Levine adds some bass fills, but there is no action from the drums yet. That comes as the first verse transitions to the second one. As the second verse progresses, Emmett plays a ringing guitar line that is the song's calling card. The chorus features a crunchy riff, a memorable melody and soaring harmonies at its end, and leads into Emmett's first guitar solo, which sports some flexible fingerwork in a radio-friendly structure.

The third verse and second chorus follow the established patterns but get more insistent and aggressive, matching the increasing anguish of the song's narrator. Emmett's second, longer guitar solo starts out slow and lyrical but builds in intensity, and its ending trills probably have a lot to do with why it was selected for Guitar Hero. That leads into a bridge in which Emmett's narrator pleads with his (soon to be ex?) lover and then into the final chorus, during which Emmett interjects some of his trademark high notes in between the repeated singing of the title phrase, after which the song fades out.

The song is about a man who can no longer trust his lover and confronts her. It may not technically be a breakup song, but it sure sounds like an about-to-break-up song.

It's the same old story all over again
You turn a lover into just another friend
I wanna love you, I wanna make you mine
Won't you lay it on the line

I'm tired of playin' your foolish games
I'm tired of all your lies makin' me insane
I don't ask for much, truth will do just fine
Won't you lay it on the line

Lay it on the line
Lay it on the line
Lay it on the line
Don't waste my time

You got no right to make me wait
Better talk, girl, before it gets too late
I never ever thought you could be so unkind
Won't you lay it on the line?

Lay it on the line
Lay it on the line
Lay it on the line
Don't waste my time

You know I love you (you know I love you), you know it's true (you know it's true)
It's up to you, girl, now what have I got to do?
Don't hold me up, girl, don't waste my precious time
Won't you lay it on the line?

Lay it on the line
Don't hold me up, girl
Lay it on the line
Yeah, yeah
Lay it on the line
Lay it on the line, girl
Lay it on the line
Oh, don't hold me up
Lay it on the line
etc.


Wikipedia says this is Triumph's most popular song on "classic rock radio" today, which is believable though I haven't seen anything to verify that. It was embraced by FM radio from its release and even made the lower reaches of the Billboard Hot 100 -- "until the payola stopped," Mike Levine says in a clip below.

"Lay It on the Line" has the second-most documented live performances of any Triumph song, which makes sense as it is their second-oldest song to never leave the setlist once it was introduced, usually appearing early in the show. It can be found on every live release. It was even played on the Emmett-less Edge of Excess Tour, with Rick Santers singing. After the band's initial run, it was performed in Emmett's solo sets as well as both 2008 reunion shows and as one of three songs at the surprise 2019 fan club event gig (though it is the only one of the three performances that does not appear in the documentary.)

In the Worldwide Countdown, Raging Weasel ranked "Lay It on the Line" #15.

Video (leotard alert): https://www.youtube.com/watch?v=nn_yRlYVnUw
Live version from Chicago in 1979, aired on the Studio Jam program on FM radio (the guitar solo on this version is very different): https://youtu.be/q5kzeyQJNUU?t=834
Live version from Cleveland in 1981, aired on the King Biscuit Flower Hour: https://www.youtube.com/watch?v=-gRf59Dz2Fs
Live version from Baltimore in 1982, a show which aired on MTV: https://www.youtube.com/watch?v=O2o84BqDDXk
Live version from Ottawa in 1982: https://youtu.be/O2TLUhfbrm4?t=312
Live version from the US Festival in 1983: https://open.spotify.com/track/6yzuQAjhvc8OJABRPOcBpr?si=2b7811e65e2342cb
Live version from Stages: https://open.spotify.com/track/3pZ1at2Pl9Ov2Z7NVLV9uc?si=24c2da19225c4ef5
Live version from Montreal in 1985: https://www.youtube.com/watch?v=-v00DGm5jCg
Live version from LA in 1985: https://www.youtube.com/watch?v=Vj3ZkWQs5h0
Live version from Detroit in 1986, aired on FM radio: https://www.youtube.com/watch?v=iWX5f47-dDI
Live version from Halifax in 1987, included on the A Night of Triumph DVD: https://www.youtube.com/watch?v=jkx47Zsyicc
Live version from South Padre Island, Texas in 1988: https://youtu.be/kb-40NOXmU8?t=918
Live version from Milwaukee in 1993, with Rick Santers singing: https://www.youtube.com/watch?v=eUNO__fTGMU
Live version from Sweden Rock Festival in 2008: https://open.spotify.com/track/2OiIUe0fk51p7aY4mlOibF?si=8b253daf2136461a
Live version from Rocklahoma in 2008: https://www.youtube.com/watch?v=nrW4jdbXvV4

Rik Emmett clip on CBC showing how to play the song on guitar: https://www.youtube.com/watch?v=9E8q3ssYTts
Mike Levine discusses "Lay It on the Line" for Behind the Vinyl: https://www.youtube.com/watch?v=mOeXnQBIKT0

"Lay It on the Line" is my highest-ranking song that does not fit in to the "inspirational/hockey coach" lyrical category. At #3, the song that created that category.
 

#4- Hang With Me - Robyn



Producer - Klas Åhlund
Writer - Klas Åhlund
Chart Positions - Sweden #2, UK #54, US Dance Club Songs #10
Album - Body Talk Pt 2
Year - 2010
Collaborator History - Klas again.

Key Lyric -
When you see me drift astray
Out of touch and out of place
Will you tell me to my face?
Then I guess you can hang with me

Notes - This track was chosen as the lead single for Body Talk Pt 2 and the follow up to Dancing on My Own from Body Talk Pt 1.
The song was written and produced by Klas Åhlund, who wrote it for Swedish singer Paola Bruna who originally recorded it in 2002. Åhlund re-wrote it, added a chorus and made it more uptempo for Robyn's version.
Originally, the song did not have a chorus and Robyn noted that Bruna's version "sounded very different" from her own. Robyn's version was one of the first songs recorded for the Body Talk series, but she decided to save it for a later release to give it a chance of becoming a single.
Tyler Grisham of Pitchfork noted Robyn's ability to synthesize "disparate moods and feelings in a single track." He concluded by saying that "it would take lesser pop artists an entire album to explore the wide spectrum of emotions that she can express in less than four minutes."

Next up - The last collaboration and what a belter it is. Surprisingly not released as a single
 
4. Weight of the World from Time Takes Time (1992)

Previously ranked #4 - prior write-up below

It's a RINGO SHOWCASE!!!111 because it's a ringo song! This is another fabulous pop song from Ringo's comeback album, Time Takes Time, which I'd again like to take the opportunity to pimp to anyone who's even slightly Ringo-curious. I've had this one all over the map because its sing-along chorus is so catchy, and it makes me happy even though the lyrics are actually a downer compared to the feel of the song. I don't know who is doing the backing vocals, since Ringo has literally everyone (yes I mean literally) on his records but often doesn't designate who does what on each song, but whoever it is does a fantastic job and really helps elevate Ringo's vocal. The only problem I have with this song is the opening line, which makes me cringe every time. Enjoy this sweet pop confection from Ringo!
 
#4 Funkadelic - "Maggot Brain"

Play like your mama died

Eddie Hazel was as good a lead guitarist as any in rock history and this is his signature song. I chose the original studio version because...... it's the original and it's the rawest. It's certainly Funkadelic's most famous song among rock fans and casual listeners who know who the band is. Even though it's an instrumental (almost - beware of Clinton's spoken-word intro in mixed company), it's probably the best showcase for what their version of the blues is.

Some may ask why I don't have this at number one. I don't have a good answer other than this is the way I wanted to structure my list. I'll do a post mortem when we're done explaining in more detail.

Next up, the Mothership lands hard.
 
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Lindsey Stirling-oz-Hold my heart
Lindsey with Zsuzsanna Eva Ward, aka ZZ Ward. Among all her collaborations with other outstanding female singers, ZZ is a top 3, would probably be higher if she had released more music but at 38 she has plenty of time to do so.
I won’t use her in a 31 any time soon but if you’re not familiar and dig the voice, I’d encourage you to check her out.

This video is much better than the last, even if it’s blatant stealing from Alice in wonderland - the guy even calls himself Alex in wonderland. I happen to like the movies, so that helps.

Next up - my favorite from her June 2024 release.
 
The Clashkupcho1I Fought the Law
OK, so I thought I Fought the Law was the only cover on my list (originally by the post-Holly Crickets, but probably best known by The Bobby Fuller Four), but have since found out it was the 3rd (as described in previous posts). BTW, I am not a big fan of the album (EP) cover as they've done much better in the past, but I do like the bar code. :D

It feels weird having a cover this high, but I've always loved this version as I think it kicks ***.

Robbin' people with a six-gun
I fought the law and the law won
 
Yes #4 - Starship Trooper
Album - The Yes Album (1971)

My songs 2-4 were all in the same tier and could all be interchangeable depending on my mood.

Starship Trooper is just a masterpiece from Steve Howe. Such an ethereal mood set throughout with a few change in tempo surprises. Some of my favorite lyrics from the band in this one too.
 
Yes #4 - Starship Trooper
Album - The Yes Album (1971)

My songs 2-4 were all in the same tier and could all be interchangeable depending on my mood.

Starship Trooper is just a masterpiece from Steve Howe. Such an ethereal mood set throughout with a few change in tempo surprises. Some of my favorite lyrics from the band in this one too.

3 :wub: hearts for me ...and of course those roaring, thumping bass lines from Squire
 
#4: JOURNEY - IT'S ALL TOO MUCH


Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

Next: we will close out the debut album.
 
Marr #6 / Smiths #2 - The Smiths - "How Soon Is Now?" (1984)

I'm blaming Santa and Jesus for falling behind on my writeups so I'll hand it over to Johnny for "How Soon Is Now?"

I [thought I] should try to write something long with some kind of a groove. I rolled a joint, plugged in my new Epiphone Casino and started playing a rhythm. I’d been a long-time fan of The Gun Club and I liked their style of swampy blues, and with that in my mind I kicked around a trancey kind of riff that after a while morphed into a slowed-down Bohannon. As I went around and around, the tune started to get psychedelic in my headphones and I knew I was on to something. I programmed a simple beat on the drum machine and recorded the hypnotic rhythm guitar, and then came up with a two-note phrase that I put on top. What I’d done was nothing like the other two songs, and nothing like anything the band had done before either. When Angie got back I played her the demo and she thought it was great. Then I took the cassette of the song round to Morrissey’s, having written... ‘Swampy’ on it. He worked on it for a few days, and when he’d finished the lyrics the song became... ‘How Soon Is Now?’.

It's an incredible song that doesn't sound like anything else by the band (or anybody else for that matter). The unique sound was created in the studio by amplifying the guitar overdubs through four synchronized Fender Reverb Twin amplifiers. It took Johnny and producer John Porter all night to record the parts because the tremelos had to be re-synchronized multiple times but they got the effect they were looking for.

 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
 
Marr #5 / Collaboration #2 - Modest Mouse - "Dashboard" (2007)

Johnny was between musical projects in 2005 when Isaac Brock of Modest Mouse called him out of the blue and asked him to join him to write some music. Marr was a fan of the band but had never met any of them before. He traveled from Manchester to Portland and headed straight to Brock's house after unpacking his bags. Brock asked him if he had any riffs to start working from. Johnny borrowed a Fender Jaguar guitar from Brock and started in with the chunky little guitar part that powers "Dashboard". Brock's improvised the "well it should've been, could've been, worse than you would ever know" on top and they knew they had something.

The initial session was so promising, Modest Mouse asked Johnny to join the band. He moved his family to Portland, bought a house and stayed there for the We Were Dead Before the Ship Even Sank album and subsequent tour. The album hit #1 on the main US charts which seems so unbelievable today I had to check Billboard to verify. They parted on good terms when Marr got homesick for Manchester and have always talked about doing something together in the future.


 
Tim MaiaDon QuixoteNobody Can Live Forever
This is another one from Tim Maia’s first album after he left the Rational Culture cult. Some of the rejection of the cult and religion in the lyrics, such as “There's no God/There's no heaven/There's no devil/There's no hell.”

Luaka Bop used “Nobody Can Live Forever” as the title of the compilation album of Tim Maia’s music that they put out back in 2012. The title does embody a lot of his philosophy outside his time in his cult. Between drugs and women, he lived life to his fullest. He was known to consume a combination of whiskey, cocaine, and marijuana before his concerts. Eventually led to health problems later in his life, and he died of heart issues at the age of 55.

Sorry for the downer note though. I just consider this a fun, funky track.
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
I ranked It's All Too Much #25 in Zegras' Beatles countdown.

I have discussed my love for it at length in the various Beatles threads and will be doing so again on this board in a few weeks/months...
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
The bolded probably came off a bit more harsh than intended too. I liked the original, and they are quite different versions. One of the many things I've learned about my music tastes over the last couple years is that I have a slight allergy to 60s, hippies, and psychedelic music that reminds me of hippies in the 60s. I struggle with early Floyd music for a similar reason, and I think that is a bit of a roadblock with me and some Beatles. I like a bit of psychedelia in my music, but like other stuff it gears toward the more stoner rock/metal stuff.
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
The bolded probably came off a bit more harsh than intended too. I liked the original, and they are quite different versions. One of the many things I've learned about my music tastes over the last couple years is that I have a slight allergy to 60s, hippies, and psychedelic music that reminds me of hippies in the 60s. I struggle with early Floyd music for a similar reason, and I think that is a bit of a roadblock with me and some Beatles. I like a bit of psychedelia in my music, but like other stuff it gears toward the more stoner rock/metal stuff.
"I like when drugs make my music sound like THIS but not when drugs make my music sound like THAT."
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
The bolded probably came off a bit more harsh than intended too. I liked the original, and they are quite different versions. One of the many things I've learned about my music tastes over the last couple years is that I have a slight allergy to 60s, hippies, and psychedelic music that reminds me of hippies in the 60s. I struggle with early Floyd music for a similar reason, and I think that is a bit of a roadblock with me and some Beatles. I like a bit of psychedelia in my music, but like other stuff it gears toward the more stoner rock/metal stuff.
"I like when drugs make my music sound like THIS but not when drugs make my music sound like THAT."
I forgot to post to @-OZ- that I gave my wife that book for Christmas and she has been going through that as well (she did not dig the Shags, and I can't convince her King Gizzard can make good music), and what I have been realizing is that since I picture myself or the band playing the music, if that element is not there, then I drift more to situations that I would hear that song. If that is not a situation I don't like or feel uncomfortable doing it takes a bit more for me to get past that and like the music. For example, if I am left with music that is reminding me of dancing, singing, or skipping through a meadow with tie-dye on, and I am going chances are I am going to struggle a bit more.
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
The bolded probably came off a bit more harsh than intended too. I liked the original, and they are quite different versions. One of the many things I've learned about my music tastes over the last couple years is that I have a slight allergy to 60s, hippies, and psychedelic music that reminds me of hippies in the 60s. I struggle with early Floyd music for a similar reason, and I think that is a bit of a roadblock with me and some Beatles. I like a bit of psychedelia in my music, but like other stuff it gears toward the more stoner rock/metal stuff.

I didn't think it came off harsh! But your explanation makes sense.
 
I ranked It's All Too Much #25 in Zegras' Beatles countdown.

I have discussed my love for it at length in the various Beatles threads and will be doing so again on this board in a few weeks/months...

Out of curiosity I looked at the earlier Zegras polls, and in 2022 the song ranked #118. In my original countdown, it didn't place at all in the group rankings (meaning that in 71 lists, no one had it in their top 25). It moved up on the basis of otb_lifer, you, and two of my IRL friends. I had it as #91 in my original countdown.
 
#4: LORD HURON - NOT DEAD YET


Another upbeat sounding song with darker than expected lyrics. A really odd benefit of doing these is that I am watching to these songs. I never would have done that without the "need" to do research for these. Again, broken record, but I really like the look of Lord Huron's videos. It fits the style of the music so well.

There's a stranger in my eyes again
I swear to God I don't know him
You're tired of me, I'm tired of you
So turn around and leave me to myself

You've got holes in your clothes and booze on your breath

You look like hell and you smell like death

Next: we will close out Vide Noir with a great live-ish version of the song. Fittingly, that will leave my favorite songs from my favorite 2 albums.
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
The bolded probably came off a bit more harsh than intended too. I liked the original, and they are quite different versions. One of the many things I've learned about my music tastes over the last couple years is that I have a slight allergy to 60s, hippies, and psychedelic music that reminds me of hippies in the 60s. I struggle with early Floyd music for a similar reason, and I think that is a bit of a roadblock with me and some Beatles. I like a bit of psychedelia in my music, but like other stuff it gears toward the more stoner rock/metal stuff.

I didn't think it came off harsh! But your explanation makes sense.
Oh, btw - I asked, and "yeah, I don't like Ringo much". Ok, then. :lol:
 
Speaking of George Harrison...

This song has been my favorite of Look into the Future since the first time I listened to it. I had 0 clue it was a cover, and might not have known if I didn't start looking up which songs Rolie had writing credit as I was testing my theory about where my attention was being drawn to. I started laughing when I saw Harrison's name, and went to listen to the original as well. Well, we can mark off another rare cover I like better than the original. Sorry to any Beatles or Journey fans for this one. ;)

I think I enjoy the original of It's All Too Much more than most Beatles fans do, and many people might prefer the cover as you do. The cover is a good rendition, but I like the psychedelia of the original.
The bolded probably came off a bit more harsh than intended too. I liked the original, and they are quite different versions. One of the many things I've learned about my music tastes over the last couple years is that I have a slight allergy to 60s, hippies, and psychedelic music that reminds me of hippies in the 60s. I struggle with early Floyd music for a similar reason, and I think that is a bit of a roadblock with me and some Beatles. I like a bit of psychedelia in my music, but like other stuff it gears toward the more stoner rock/metal stuff.
"I like when drugs make my music sound like THIS but not when drugs make my music sound like THAT."
I forgot to post to @-OZ- that I gave my wife that book for Christmas and she has been going through that as well (she did not dig the Shags, and I can't convince her King Gizzard can make good music), and what I have been realizing is that since I picture myself or the band playing the music, if that element is not there, then I drift more to situations that I would hear that song. If that is not a situation I don't like or feel uncomfortable doing it takes a bit more for me to get past that and like the music. For example, if I am left with music that is reminding me of dancing, singing, or skipping through a meadow with tie-dye on, and I am going chances are I am going to struggle a bit more.

gotta tellay, you want to turn your wife onto music that will make you love her ...start with Something/Anything
 
Marr #4 / Solo #2 - Johnny Marr - "New Town Velocity" (2013)

I've written before about how little Marr reveals about himself in his lyrics; he's always been a tune-first, lyrics-second writer. "New Town Velocity" is an exception that tells an important chapter of his origin story. It's a song about ditching school with his girlfriend and telling her about his dreams of being in a band as they walked around town. It's sort of like a Springsteen song except it takes place in Manchester and there's no car involved. Johnny was 15 at the time and the girl was 14 year old Angie Brown; they've been together ever since. They've enjoyed an unusual stable love life, especially for a rock star who's had a complicated professional career.

The song reminds me a little of The Church's "Under the Milky Way". It floats by like a dream because it's more about Johnny's memories from 2013 than the events of the day in 1979 but it's about as romantic as Marr's solo work gets. Both of the Marrs' children perform on the song: daughter Sonny sings and son Nile plays guitar.

 
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Eddie VedderTau837State of Love and Trust

"State of Love and Trust" is one of Pearl Jam's most iconic and high-energy tracks, showcasing the band's raw power and emotional intensity. Originally written for the soundtrack of the 1992 film "Singles," the song quickly became a fan favorite, often featured in live performances despite not being included on any of the band’s studio albums.

Written during the early days of Pearl Jam, the song was recorded during the sessions for their debut album, "Ten." However, it was ultimately released as part of the "Singles" soundtrack alongside another Pearl Jam track, "Breath." The lyrics of "State of Love and Trust" are fast-paced, cryptic, and emotionally charged, reflecting Eddie's storytelling style. The song’s themes include morality, love, faith, and the inner turmoil of making the right decisions.

The song seems to explore the struggle between making ethical choices and succumbing to self-doubt or temptation. The phrase "state of love and trust" could signify a mental or emotional state where these issues come to the forefront. Eddie touches on the vulnerability that comes with love and trust, as well as the fear of betrayal. Lines like "And I listen for the voice inside my head, nothing, I'll do this one myself" suggest self-reliance when guidance feels absent.

The driving riffs by Stone Gossard and Mike McCready give the song its gritty edge, while McCready’s lead work adds a melodic yet chaotic layer. Jeff Ament’s bass line provides a steady groove, complemented by Dave Abbruzzese’s pounding drum beats (featured in the later version). Eddie delivers a raw, impassioned performance, shifting from controlled verses to explosive, soaring choruses.

Here is a great live version: MTV Unplugged (1992)

I already think "Ten" is one of the top 10 albums of all time. Imagine if they had included this song on the album...
 

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