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100 Best Songs of 2023. #1 Posted, Playlist in first post (1 Viewer)

#40 - 3D Country - Geese
These guys are on the just released Bonnaroo lineup for 2024, so maybe I'll see them this year (if I go, I definitely will)! There are Rolling Stones vibes all over this with the country-rock ramshackle flow to it and the backing gospel choir then finally we get into guitar solo city to close things out.

 
#39 - Cold Reactor - Everything Everything
These guys are carrying on the dance/punk tradition better than anyone these days. One of the most underrated bands going right now IMO. They just put out consistently great songs. This one may lean more pop than rock but the way he plays with his falsetto voice over deep synths and driving drums make this another classic.

 
#38 - A Good Thing - Claud
I keep waiting for Claud to get more popular but it hasn't happened yet. They aren't too far off the Holly Humberstone, Snail Mail, Soccer Mommy etc in that they just make really good indie rock. Apparently the guy from Semisonic produced this and Paul Rudd starred in the video :shrug:

 
#37 - Clean Slate - The Mountain Goats
John Darnielle sounds awesome on this and there are horns and strings all over the place here. It's a big lush indie rock song, like Arcade Fire circa 2010 with fewer groupies.

 
#36 - Trouble - Fust
Soulful alt-country with lots of guitars (pedal steel and otherwise), it's a slow grower with a great hook and a nice building finale that drops back out to where it started.

 
#35 - Alley Light - Squirrel Flower
There's a sort of sadness in her voice through this song but the recurring guitar riff is what really puts it over the top for me. It's simple and kind of a throwback to 90s alt-rock maybe but it really works.

 
#34 - Open Up Wide - Dizzy
I've toned down the Canadian content this year (unintentionally) but this band is from 45 minutes up the road. They play a lot of Lorde/Eilish inspired altpoprock. The album is pretty damn good. This one pops the most live and gets the nod for me here as a result. (Headbanging, headbanging, headbanging, headbanging, headbanging, headbanging)

 
#33 - Thick Skull - Paramore
A second instance where my favourite song on the album (This is Why) was released last year and cracked the 2022 list (it was #4). This is from the slower side of Paramore - think "Decode", "All I Wanted" and these songs tend to be slow burners that show off her amazing vocal talents. That is absolutely the case here. They build the tension for the first three-plus minutes of the song, you know she's going to let it loose but she keeps you waiting (almost teasing -"give it to me. give it to me"). And then she does. I love Paramore.

 
#32 - Everything's Glitter - The Armed
Noisy indie rock, somewhere between Cloud Nothings and The Strokes, it has those driving guitars and big drum fills and a bit of a wail to his voice. When you think it's over, it decides to go a bit harder for a while.

 
sighs of relief from everyone reading this list...
#31 - Is It Over Now? (Taylor's Version) - Taylor Swift
It's a great Taylor Swift song that came out on the bonus version of 1989 and would have fit in perfectly on that album. That said, there is a reason it was initially left off IMO, it doesn't quite reach the heights of the best songs on that album and this feels about right for it for this year.

 
#30 - Did you know there's a tunnel under Ocean Blvd - Lana Del Rey
Feel like LDR is kind of polarizing and I get it but I'm also a sucker for a really good piano ballad and she's a great songwriter. Under all the incidental stories, overriding metaphor and beautiful baroque pop, the main theme here "Don't Forget Me" is really simple.

 
#28 - Eat the Acid - Kesha
Yes, that Kesha. There's something about the ongoing synth line here and the way her vocals are manipulated around it - low, high, foreground, background, with no sound behind them, with all the sounds behind them, looped, repeated, vocodered, layered, simple. This song is all production and her voice but it's so so good. Sometimes I think it was the best song released this year and should be #1, as I listen again, I'm sure I have it way too low here. "You don't want to be changed like it changed me".

 
#27 - Tropic Morning News - The National
I had to take a long break from The National (I associated them with the death of my dog) but the new stuff is different from that and I came back around to them to an extent this year. I didn't love either album they released but I did like a bunch of songs on each of them. This is definitely in the vein of there more recent stuff with a nice little bounce to it that carries throughout it.

 
#25 - Cosmic Leash - Chris Farren
Chris Farren is from the Jeff Rosenstock-sphere (together they form the excellent Antartigo Vespucci band) - this is a big fun rock song with an absolutely huge chorus. CHANGE YOUR HEART, WAIT YOUR TURN, I NEED MORE TIME WITH YOU. Whole album is great.

 
#24 - Call Me What You Like - Lovejoy
This band has a massive number of Spotify plays, think they're on the verge of being the next big thing. Big bass lines, funny smart lyrics, changes in tone and tempo throughout, a big inner monologue bridge, "I'm not paranoid, I'm a realist... I know you're gonna kill me".

 
#22 - Chosen to Deserve - Wednesday
From one of the best albums of the year - tales of adolescence sang in a beautifully low key way over Drive By Truckers-style country rock guitar riffs.

 
#21 - Sixers - The Hold Steady
The Price of Progress was a pretty solid album all around but this was the one that stuck with me the most. As it is a Hold Steady song, it tells a story of a boy and a girl who have some issues and decide to do some drugs and listen to music together and try to find a connection. Hardly new ground for them but the story songs are still the best on every album and I love the way this one builds on itself. Franz Nicolay's keys do a lot of the driving musically while Craig Finn does his usual thing over top with some wordplay that only he can pull off. It doesn't have a happy ending.

 
Alright, let's cruise to the finish.

#20 - Salad - Blondshell
Best revenge-murder fantasy song since Goodbye Earl. This one starts out with a feeling of mystery/spooky drums and evolves from there. Eventually the guitars kick in, the salad gets poisioned and the chorus soars. “Look what you did, you’ll make a killer of a Jewish girl". It stays dark and awesome through the end.

 
#19 - Nothing Matters - The Last Dinner Party
Feel like this was everywhere this year, one of the biggest indie songs of the year and for very good reason. I love how it starts off like it's going to be a Kate Bush song or something and I guess in a lot of ways its not too far off. Guitar solos, horn breaks, group choruses, I will **** you, nothing matters

 
#18 - The Way - Manchester Orchestra
No one does the slow build, quiet loud big *** rock song better than Manchester Orchestra these days. This would have fit in perfectly on A Black Mile to the Surface, which is in my opinion their absolute peak sound.

 
#17 - The Sky is Melting - Alex Lahey
A song about going out into the sun, taking a bunch of edibles and having a grand old time. It has such a casual easy way about it and she's another great Aussie lyricist (see also Courtney Barnett, The Beths, etc...), wore it out all summer long. Also, it references Michael Bolton.

 
#15 - Not Strong Enough - boygenius
We're in a little run here of songs that were near the top of a lot of critics lists here but these are undeniably great and we will be back in left field soon enough. The boygenius album/project is great but a lot of times it feels like a solo song from Phoebe Bridgers then a song from Lucy Dacus etc... this one is more cohesive and feels like a full band with big harmonies, multiple sections for everyone, I wish there were more like this. I wouldn't argue with anyone who thinks this is the best song of the year, it might only be this low because I wore myself out on it a bit.

 
#14 - Pontius Pilate's Home Movies - The New Pornographers
Dan Bejar/Destroyer didn't participate in this TNP album, so Carl Newman decided to write a Destroyer song. Sure, works for me. It's dark and brooding to start but soon enough we have Neko Case coming over the top rope with her massive voice. It has a great groove/steady drums, saxophones harmonize alongside Case and Newman. I have absolutely no idea what its about.

 
#13 Smoke Detector - The National
The one song per album rule allows The National to sneak a second song in the top 30 here. From Laugh Track, the second album they released this year, Smoke Detector sounds more like early days National than anything in a decade. It's tense, noisy, repetitive, it's not pretty, there's no big chorus, there ARE big drums (it was always the drumming that set those early albums apart for me and it just hasn't been there on the most recent albums). Apparently it came out of messing around at a soundcheck one day, they should do more of that.

 
#14 - Pontius Pilate's Home Movies - The New Pornographers
Dan Bejar/Destroyer didn't participate in this TNP album, so Carl Newman decided to write a Destroyer song. Sure, works for me. It's dark and brooding to start but soon enough we have Neko Case coming over the top rope with her massive voice. It has a great groove/steady drums, saxophones harmonize alongside Case and Newman. I have absolutely no idea what its about.

Finally a song I have heard of! But only because it was on your NP top 31 in the MAD 2 countdown.
 
#12 - Settled Accounts - We Are Scientists
I am sure I am the last person still listening to We Are Scientists in 2023, they had a moment in the mid-00s with a trio of indie hits (Nobody Move, Nobody Get Hurt, The Scene is Dead, After Hours) and mostly faded away but every once in a while they pop up with an absolute earworm I can't get enough of. Play this one in your car as loud as possible and you'll see what i mean. They still sound like We Are Scientists who kind of sound like Hot Hot Heat. It has a jangly pop-rock intro but it wastes very little time getting to the big *** chorus, which is either going to make you love this song or not. There's some sci-fi synths around and some drum beats behind the chorus but really, it's the chorus and you're going to hear it like ten times before it's over. MAYBE IT'S TOO SOON TO FIND OUT, BUT BY NOW THERE SHOULD HAVE BEEN AN ANSWER. YOU'RE TAKING ME FOR SETTLED ACCOUNTS AND SOMEHOW I END UP EVEN LESS SURE.

If you like this kind of nonsense, Buckle from their 2016 album is just as good.

 
#11 - Too Much, Enough - Nation of Language
I saw these guys last month and I'm convinced they're going to be the next big rock band. Their front man has massive rock star energy and they just sound so damn good. This song sounds like it was pulled straight off an 80s synthpop album (Human League?), dusted off, given some shine and shot into my ear holes.

 
#9 - vampire - Olivia Rodrigo
It should be pretty clear by now that I'm a sucker for slow moving piano ballads that explode into massive singalong choruses. This one does that but it also keeps growing outward the whole way getting bigger and bigger, moving faster and faster and hitting peak after peak. "bloodsucker, fame ****er, bleedin' me dry like a ******* vampire."

 
#8 - Jake's Piano/Long Island - Zach Bryan
From his main release this year, the big song off this one was the duet with Kacey Musgraves but this is the song that really stuck with me. Again the first half is a slower piano ballad but then "Long Island", the second half, the guitar kicks in, and the story kicks into high gear. Bryan is great at telling these stories of desperation/hope/loss and his voice conveys the emotion in such a meaningful way. I know the backlash has already kicked in on his to an extent but I think a song like this really highlights his abilities and versatility as a really good song writer, regardless of the country/rock genre boundaries.

 
#6 - I Don't Know What You See in Me - Belle and Sebastian
I feel like this album mostly slipped under the radar, maybe because it was a January release. This comes out like a Pet Shop Boys song or maybe Tegan and Sara, big synths, big harmonies. It's unmistakably Belle and Sebastian but it's fresh for them and I love this direction.

 
#5 - Smaccked My Head Awf - Hot Mulligan
HOW COME NONE OF YOU TOLD ME ABOUT HOT MULLIGAN BEFORE (I'm sure someone did). Anyway, this is the emo-revival I'm here for. Heartfelt, emotional, melodic. This song is mildly heartbreaking if you pay close attention but it sounds so good and feels so authentic. It reminds me of the best Modern Baseball, the emotion builds toward the end and finally feels like some catharsis and the repeated "it's okay, it's okay", it's so good and I went back and listened to everything this band has ever put out over the last few months.

 
#4 - Spot Me 100 - Hotline TNT
This whole album is great too. This song starts out as a really good but fairly generic shoegaze anthem and you can feel it building to something... but at 1:20 it absolutely soars in a way that honestly floored me the first few times I heard it and it just keeps going and going getting bigger and faster, throwing in some chirps here and there and then it breaks back down to layer the sped up second half over top of the shoegazey first half and it gets even better.

 
#15 - Not Strong Enough - boygenius
We're in a little run here of songs that were near the top of a lot of critics lists here but these are undeniably great and we will be back in left field soon enough. The boygenius album/project is great but a lot of times it feels like a solo song from Phoebe Bridgers then a song from Lucy Dacus etc... this one is more cohesive and feels like a full band with big harmonies, multiple sections for everyone, I wish there were more like this. I wouldn't argue with anyone who thinks this is the best song of the year, it might only be this low because I wore myself out on it a bit.


Love this song. I'm becoming a huge Phoebe Bridgers fan.

Have only scrolled through the list and haven't listened to anything yet. Looking forward to it.
 
#3 - The Window - Ratboys
I'm not going to say too much about this song, I know some of you know my father in law passed away in a nursing home a couple months ago and I can't really listen to this song outside of that context. I think it's an absolutely beautiful and heartbreaking love song and it really touches me every time I listen to it. I love the 90s Goo Goo Dolls-ish production too. Sue, Sue, you'll always be my girl :cry:

 
#11 - Too Much, Enough - Nation of Language
I saw these guys last month and I'm convinced they're going to be the next big rock band. Their front man has massive rock star energy and they just sound so damn good. This song sounds like it was pulled straight off an 80s synthpop album (Human League?), dusted off, given some shine and shot into my ear holes.

Listened to this album and Laugh Track by The National more than anything else last year. The Nation of Language gives me those Human League, Yaz, OMD vibes for sure. A New Goodbye is my favorite track, but there are at least 4 or 5 gems on that album.
 
#3 - The Window - Ratboys
I'm not going to say too much about this song, I know some of you know my father in law passed away in a nursing home a couple months ago and I can't really listen to this song outside of that context. I think it's an absolutely beautiful and heartbreaking love song and it really touches me every time I listen to it. I love the 90s Goo Goo Dolls-ish production too. Sue, Sue, you'll always be my girl :cry:

Love this song. I felt out of touch that it took a best of 2023 list (from Dec 2023) for me to find a Chicago band. Good stuff. Agree with you that The Window is their best track this year. Sorry about your FIL.
 
#2 - So Much (for) Stardust - Fall Out Boy
Opens with stringy strings, then straight into a rumbling piano, every second verse punctuated with horns. This is throwback mid-00s Fall Out Boy at their absolute peak and hear comes the chorus. WE THOUGHT WE HAD IT ALL THOUGHT WE HAD IT ALL THOUGHT WE HAD IT ALL THOUGHT WE HAD IT ALLLLLLLL. There's probably some nostalgia in here (I was in college when From Under the Cork Tree came out but I'm shocked how much I loved this years FOB album and while this song is the clear peak, there are three or four others on their that stand on par with anything in their catalog. They do the self-referential thing here where they call back to the other big single on this album. Again like a few others though, this is all about that great big chorus SO MUCH FOR STARDUST

 
#9 - vampire - Olivia Rodrigo
It should be pretty clear by now that I'm a sucker for slow moving piano ballads that explode into massive singalong choruses. This one does that but it also keeps growing outward the whole way getting bigger and bigger, moving faster and faster and hitting peak after peak. "bloodsucker, fame ****er, bleedin' me dry like a ******* vampire."

One small benefit of getting older is that I now really dont GAF what others think about my musical tastes. Years ago I would've rejected Olivia Rodrigo and Taylor Swift because C'mon Bro.

I like Olivia Rodrigo's first album a little better than this one, but this was pretty good esp this track.
 

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